Book: Woman World by Aminder Dhaliwal

Cover of Woman World

Woman World
by Aminder Dhaliwal
published by Drawn + Quarterly
2018

This graphic novel is ADORABLE and funny!

Set here on earth, Woman World tells the story of how a mysterious biological problem in humans means that all new babies are born female. Natural disasters destroy much of so-called civilization; years pass, and we find ourselves in a village where the children have never seen a human man, and the women are dreaming, falling in love, managing anxiety, being baffled by male-centric artifacts from the past, and making a new community under a Beyonce-loving banner.

It is also laid out very beautifully. The full pages are thoughtfully done; the spreads are used for optimal effect. A lot of thought went into the design, and the more I think about it, the more I am impressed at how each layout is used for best effect.

Did I mention adorable? ADORABLE. And witty. I laughed out loud repeatedly, and it brought joy to my heart.

Film: The Booksellers by D.W. Young

As part of my ongoing efforts to support my ICONIC local non-profit movie theater, The Roxie, I paid an indie ticket price through this link, so the money is split 50-50 with my local theater. How nice is that?

This is a documentary film about the rare booksellers of New York City, who are themselves becoming rare.

The film allows you to see their shops, their warehouses, and a completely over-the-top private library as you learn about the rare book business, and how difficult it is (and in some ways, always has been, Internet notwithstanding).

Books: The Book of Books: 500 Years of Graphic Innovation, edited by Mathieu Lommen

Cover of The Book of Books

The Book of Books: 500 Years of Graphic Innovation
edited by Mathieu Lommen
published by Thames & Hudson
2012

I hand-sew and bind books, I read books, I buy books, I have books printed, I fill blank books, I collect books, I study books, I LOVE BOOKS! So it feels inevitable that I would find this book, which is about the printing technologies, fonts, and design of books, with an emphasis on Europe and/or printing that uses European alphabets.

This is a MASSIVE tome, and has reproductions of MANY books, with remarkable examples of everything from bibles to scientific texts to art books to books on how to break into castles. Which was apparently a really big thing. A thing that was important enough to buy books about. (My gift subscription to Castle Raider Monthly must have expired: I’ve been missing out.) If the term “siege engine” immediately came to mind, you win 500 Geek Points.

Collage of sample images from the Book of Books; older samples above, gorgeous Emigre image to the lower left, gorgeous Maria Merian image to the lower right.

The fonts are GORGEOUS. GORGEOUS! I would use some of them today! HOW DID WE EVER STOP USING SOME OF THESE!!! GAAAAAH! Sorry. I’ll pull myself together now. But really – such beauty! The folks who set this type, and who designed it – I hope they were lauded in their day!

Illustrated books and printing technologies are also discussed, and printing of this sort – etching and hand coloring and tipping in scientific illustrations – was once the key way to study sciences and the natural world in a time of limited travel opportunities. Books as a way to transmit key knowledge, not just as entertainment – that is so exciting!

After seeing remarkable samples of so many older works (going back to the late 1400s), thanks to the editor’s access to special collections in the Netherlands, I was beyond delighted that he extended all the way into the 2010s, and included the work of Emigre Fonts , an SF Bay Area-Local font foundry that arose with the Apple Macintosh back in 1984. The work of founders Rudy VanderLans and Zuzana Licko has always been impressive and presented brilliantly (in their magazines, catalogs, and in active use), so I was thrilled to see their inclusion here.

I’ve spent some quality time with this book, and there is so much in it, I need to return to it repeatedly to process all that I’ve seen. It’s quite a work!

(Yes, I also have the Parr & Badger Photobook history, all the volumes, since photo books are their own design challenge…)

Books: Department of Mind-Blowing Theories by Tom Gauld

Cover of Tom Gauld’s latest book

Department of Mind-Blowing Theories
by Tom Gauld
published by Drawn + Quarterly
2020

This is a charming book of science cartoons, which had previously appeared in New Scientist magazine, collected here by the excellent comic/graphic novel publishers at Drawn + Quarterly. They are subtle, funny, brainy cartoons with really fantastic contraptions, many explosions, heartless thesis committees, and at least one appearance of Cthulhu.

This book is for you if: you wish the text message “LOL!” really stood for “Let’s Observe Lobsters!”

(Speaking of LOL, I did laugh out loud at the bear cave strip, and several others.)

I want all of the contraptions.

Book: Exit Strategy (The Murderbot Diaries) by Martha Wells

Cover of Martha Wells’ Exit Strategy

Exit Strategy (The Murderbot Diaries)
by Martha Wells
published by Tor
2018

Book 4 in this delightful series of novellas about a cyborg-ish Security Unit who has been through some very bad situations, has liberated itself from human control, has some natural-feeling human-saving habits continues!

This volume has everything you’ve come to love Murderbot for, from its amusement at silly humans, its irrepressible desire to hack systems, relationships with differently-abled bots, a bit of time to enjoy new entertainment media, and…. okay, there was some unexpected shopping, which was brief, and didn’t appear to be habit-forming. But all the stuff you really want to know about Murderbot’s fondness for some special humans from the first book I’m going to withhold, so you can enjoy finding out what happens on your own.

I enjoyed it, and now I’m ready for the full length novel!

(Yes, you need to start reading the stories from the first novella, silly human. Go do that.)

Book: Rogue Protocol (the Murderbot Diaries) by Martha Wells

Cover of Rogue Protocol by Martha Wells

Rogue Protocol (the Murderbot Diaries)
by Nancy Wells
published by Tor
2018

As you know by now, I love me some Murderbot. Martha Wells’ stories about an unauthorized / independent, telenovela-addicted android-cyborg security unit trying to understand its situation and cope with fragile humans who put themselves into dangerous situations are delightful, and this is the third novella in the set. There is a full length book that was released THIS WEEK, and so of course I am changing my strategy from doling the novellas out to myself slowly to catching up quickly.

In this exciting episode, Murderbot has a suspicion that its favorite human could use some evidence against the corporation that tried to kill her and her team. So, being a very direct kind of SecUnit, it goes to the scene of a potential crime.

There are bots! Drones! Weapons! Heavy equipment! Various combinations of nice and dastardly humans! The story maintains an engaging pace, is well-written, and… is it just me, or is Murderbot developing a soft spot for people? No, I don’t mean where it was shot or caught all that shrapnel, I mean… oh, I can’t spoil it for you.

It is another fun episode. 🙂

Book: The Power by Naomi Alderman

Cover of The Power by Naomi Alderman

The Power
by Naomi Alderman
published by Back Bay Books (Little, Brown and Company)
2016

What would happen to the structure of society if women had the physical power to defend themselves, or even routinely overpower men?

In this engrossing novel, women develop the ability to generate electricity. Humans already have a lot of electrical wiring internally, but in the book, a scientific intervention intended for one purpose may have inadvertently given rise to the ability for women to generate and control electricity, an have the ability to taze at will from puberty onward.

This changes the world.

The story follows several women, both privileged and disadvantaged, comfortable and abused, in the spotlight and sidelined, who find different ways of utilizing this development to influence the direction their societies evolve in. The story of an intrepid male reporter from Lagos also provides a sympathetic (and at times, alarmed) point of view.

Alderman does a remarkable job of showing the RANGE of impacts that could arise, from fiercely patriarchal societies harming or killing women to maintain control, to government leaders militarizing this new ability; from women who use moderation in utilizing their new powers in societies that have included them, to women who wreak vengeance upon their captors and oppressors in societies were they functionally enslaved.

The way the book ends… just be sure to read what looks like an appendix, but is a key part of the story.

Yes, I’m sure Margaret Atwood is DELIGHTED that she got to make such a concise review-and-play-on-words about this book ON THE FRONT COVER.

As someone who has daydreamed of subtly engineering women to be stronger to decrease abuses, do I think that power struggles could play out as they do in this book? Yes, and perhaps Alderman is more realistic than I am, considering history. When have the powerful ever shared power willingly and peacefully? When have enslaved people ever received justice? When have oppressors ever willingly made amends? My own dark futures in fiction are dark DIFFERENTLY, but yes, I think we agree on the backlash. Because: humans.

Also note: read the acknowledgements. No, really.

Summary: a page-turner of a book with a thoughtful story arc for the characters, thoughtful (and very dramatic) implications across the wide range of conditions, and a dark view which is entirely fair, considering the state of the world. I’m glad I read it.

Book: You Look Like a Thing and I Love You by Janelle Shane

Cover of You Look Like a Think and I Love You by Janelle Shane

You Look Like a Thing and I Love You
by Janelle Shane, Ph.D.
published by Voracious (Little, Brown and Company)
2019

I’ve enjoyed Janelle Shane’s site, aiweirdness.com, for some time, and when she mentioned that she had published a book on the same themes, I couldn’t resist it.

What are her themes? Machine learning, mostly, and how difficult it is to train a neural network to do what you really want it to do. You THINK you are training your software to recognize cancerous lumps, and it does well with your training data, but it doesn’t work so well in real life. In retrospect, you trained it with images of cancerous lumps that have rulers next to them to show the size of the lump, while no one cares (or measures) what size benign lumps are. Your program relied on the rulers to know whether or not a lump is cancerous: ruler = yes, no ruler = no. You invented… a RULER-DETECTOR.

Why I am reading about this geeky, specialist topic? I have to deal with the limitations of “AI”s of various designs all the time. Voicemail hell? That’s a not-very-intelligent program imitating an AI, possibly with AI voice recognition. Applying for a job? Software is screening my resume. Getting a laboratory test? Software may be screening that for me, too!

If you’ve ever gotten into an argument with your phone, you know that these programs are… not perfect. Depending on whether you have a high or low voice, they may not seem to work at all. My father is still amused that one of his friends couldn’t get her voice assistant on her phone to understand ANYTHING she said, but my father (who sounds like Darth Vader) could ALWAYS be understood. Why? Because it was trained this way.

Janelle Shane finds amusing ways to talk about how neural networks and other near-AI programs work, what they are good at, why they fail at so many tasks, and how the data sets they train on can make them vulnerable to manipulation.

You will laugh, as I did, as an AI trained to generate metal band names learns to generate ice cream flavors! You’ll laugh often, really: Ms. Shane has some good stories, and good quotes from people who fought to teach their AI something specific, and their AI interpreted them literally and won. The challenges she sets up for the simple neural nets she build are VERY FUNNY.

It isn’t just jokes and witty examples: you won’t laugh at the idea of a navigation-bot telling you to drive TOWARD a fire (because there is less traffic in that direction!), nor at racial and gender biases that oblivious employees train software with, nor at the fact that image recognition programs that train on the same free (manipulatable) data sets can be mis-trained to see things that aren’t visible / obvious / correct to humans.

Maybe there’s a rare but catastrophic bug that develops, like the one that affected Siri for a brief period of time, causing her to respond to users saying “Call me an ambulance” with “Okay, I’ll call you ‘an ambulance’ from now on.”

Excerpt From: Janelle Shane. “You Look Like a Thing and I Love You.” Apple Books. https://books.apple.com/us/book/you-look-like-a-thing-and-i-love-you/id1455076486

It is good (and refreshing) to truly think about the serious implications of our rush to be dependent upon machines, and the hazy way we think that machines are neutral decision makers, when nearly every application we have developed for them is not neutral in inputs, programming, or impact.

On how I read

It is a foggy day, and I am filled with French press coffee, vegan sandwiches, birdsong (without automobile traffic, you can hear the birds!), and things I want to research that I’m either reading about, or that came up while reading about something else.

Reading is a rabbit hole with many tunnels.

I’m writing out reviews about books I enjoy(ed) here, because writing about them is part of my ‘processing.’ Conveying feelings and thoughts in language requires a lot of translation, and that translation teaches me things. If I really enjoy something, I should be able to describe it concisely and well in words, and choosing the right words thoughtfully can take some time. (For example, it wouldn’t be enough to say that the protagonists of William Gibson’s recent fiction are “cool,” because that doesn’t convey what I mean: I mean that they are capable, curious, observant, cool-headed, and have some special niche expertise that they enjoy. I admire people like that, and want to be like that. “Cool” wouldn’t cover it. )

While I am writing reviews of recently read books in a linear fashion, I’m also various stages of reading other books. In my youth, I would force myself to finish each book (whether or not I was enjoying it) before I could go onto the next; but now I drop any I’m not in the mood for (I have so little time – why spend it on a book that isn’t working for me?), and to jump in and out of longer books, based on where they are taking me. Truly stimulating books send me on research projects or reveries that take me a while to return from!

I am in various stages of reading:

  • The Power by Naomi Alderman (fiction, about women being able to generate electricity and defend themselves – fun and a real page-turner!),
  • Appreciate Your Life: The Essence of Zen Practice by Taizan Maezumi Roshi (deep, but likely to inspire reverie about the meaning of life, which distracts from reading),
  • My Seditious Heart: Collected Nonfiction by Arundhati Roy (1000 pages including the extensive footnotes! I had to stop to recover from the pain of reading about injustices done to various minority groups in India by more politically dominant groups, especially “development” programs that make minorities landless while enriching the majority),
  • The Second Sex by Simone de Beauvoir, translated by Constance Borde and Sheila Malovany-Chevallier (I’d read the earlier translation, but this one is much better – the only catch is that I keep using up all my book flags, pad after pad of them, because there are SO MANY CONCEPTS I want to revisit…),
  • You Look Like a Thing And I Love You: How Artificial Intelligence Works and Why It’s Making the World a Weirder Place by Janelle Shane (I started this last night, and was laughing so hard I was nearly in tears from examples of her neural net transitioning from generating death metal band names to naming ice cream flavors – I may finish this today), and
  • Olafur Eliasson In Real Life, (which I started this morning), which appeared at first to be a typical catalog of the brilliant show I saw at the Tate Modern last fall, but which is sending me in many directions because it also includes interviews with scientists, artists, chefs, and others, and is becoming more like the best current-topics magazine I’ve ever read.

My reading of the Eliasson book today has made me pause to:

  • write for myself about what it means to be a California artist, a San Francisco native, and a product of the optimistic and green international cultural sensibilities of California in my 1970s childhood (Eliasson is a similar age, but clearly Icelandic-Danish in his influences);
  • look up artists like Fujiko Nakaya (fog installations!);
  • wonder if artists I like have any new work to marvel at (maybe not – Michael Rosenfeld Gallery’s Lou Bontecou Selected Works page doesn’t suggest so, but she could be saving up for a new show),
  • admire the design of the catalog (it is beautifully composed and printed; I’ll save the rest of my gushing for the write up);
  • remember that I recently read other books I haven’t posted reviews of (oops); and
  • try to decide if I should use my photos of Harpa to play with in MirrorLab…

It is FUN to let my mind wander so freely, and to have such stimulating material to read.

Working long hours prevents me from spending more time thinking like this – while I am working, I am VERY dedicated to solving work problems, and sometimes dream about possible solutions, or wake up dwelling on work issues to solve – but a weekend like this is like a brain vacation / day spa / slice of free-thinking heaven.

Book: Mail / Art / Book curated by Jennie Hinchcliff and John Held, Jr.

Cover of Mail / Art / Book

Mail / Art / Book
curated by Jennie Hinchcliff and John Held, Jr.
published by San Francisco Center for the Book
2014

This is another stellar catalog from the SFCB’s shows, and from longstanding teacher and author Jennie Hinchcliff (co-author of the fun book, Good Mail Day).

Mail art – art that is specifically intended to be sent through the mail, and enjoyed by other mail artists – is small and can be difficult to display, but this book does a solid job of arranging and photographing this exhibit in a way that preserves the many 3-D items, as well as the relationships between envelope and contents (when there is a distinction).

The submissions were fun and varied widely, and it was great to see all the complex, thoughtful, colorful, creating works that made it through the mail!