You might already know I geek out over the experimental art/science of Studio Olafur Eliasson, which I’ve likened to the Exploratorium, but for fine artists, which somehow also has an amazing vegan restaurant for staff. (Ooooooo!)
The Studio has a new show in Japan right now, and the studio decided to avoid air freight by using land and sea-surface transport to get the exhibits from their current locations and/or Germany. The transport containers included art devices to make abstract, graphical records of the journey, and the show includes those results, and everything from water and light art to experiments in using kitchen and art studio scraps to make pigments and solid modules for future artwork.
It’s CLEVER and it’s ART. Such a happy combination!
Sometimes the river is the bridge – Museum of Contemporary Art, Tokyo – Studio Olafur Eliasson
The beautifully laid out pages, which include installation images of the exhibition, scroll horizontally. (On my computer do so rapidly, so be ready to use some fine motor control!). The studio’s layouts and images impress me, as they always do.
I love the images of the food-waste-derived pigments, especially. Plant pigments have an interesting history, and one I’ve dabbled with photographically: the alternative photography community (alternativephotography.com) uses plant pigments to make anthotypes, which are photographic prints using plant pigments. How? A positive transparency shields some portions of the pigment painted onto paper from fading, with some lovely results. (Malin Fabbri wrote a lovely textbook to teach you how!) It’s nice to see SOE’s technique, and the use of dehydration specifically.
The ‘materials lab’ section is where a lot of the innovation appears, and the experiments all look thoughtful. It’s nice to see the process-thinking behind the studio’s work, rather than only finished pieces.
If you need an art break from [*gesturing at the state of the world*] things, check it out.