This is a sci-fi story about parallel universes, and a person who makes contact with a parallel version of themselves to see how their life could have been different. It’s concise! It’s great! Go read it.
This book centers on Maggie, one of the heroines of the Love and Rockets Locas stories, and the hardships – and relationships – that shaped her and her family from childhood through middle age. With her family eager to suppress the truth – about infidelity, abuse, divorce, and painful separations from partners, siblings, and friends – traumas play out in slow motion over many years, but are not fully healed.
In her later years, Maggie may have a chance to (re)connect with the people she loves, before they are truly gone.
This is a well executed, well drawn, well told story. While I’ve seen elements/chapters of this in other collections, there is new material here as well, and the way it is all combined creates a profile of Maggie’s relationships that packs a great emotional punch.
I recommend reading ALL of the Locas stories first, to understand more of Maggie’s life and the relationships (shown here in chapter-length flashbacks) for the greatest impact – and because the Locas stories are GREAT! (Disclosure: I cried at the end of Locas volume 1, so I’m invested in the characters. No, I’m not telling you why I cried.)
I love this – and highly recommend it to all Maggie (and Love and Rockets) fans.
Moon of the Crusted Snow by Waubgeshig Rice book and audiobook published by ECW Press audiobook read by Billy Merasty 2018
This novel is a slow, intense burn – and the audiobook is narrated in an impressively CANADIAN manner!
Evan and his family have a comfortable, modest life on a small Anishinaabe (First Nations) reservation, where he works for the community government in a range of jobs that are enough to keep his spouse and two children warm and fed through brutal Canadian winters. He enjoys hunting to keep his extended family fed through the winter, and he and his wife both enjoy meeting with elders to learn more about the old ways, which their community has partly abandoned in favor of modern trappings that arrived with reliable electricity.
When the power goes out, it disrupts the community’s school and local businesses, but is sure to come back soon.
Then the landlines stop working. Which is exotic.
Then the satellite phones and radios go silent as well. For a community displaced to this isolated reservation a few generations ago, who are accustomed to keeping to themselves, there aren’t any obvious places to go for information that aren’t a great distance away.
And then, refugees begin to arrive from the nearest non-native town, where some sort of societal collapse is underway… It occurs to Evan that the power may not be coming back on again for a very long while, if ever. And, that some members of his community aren’t interested in doing the work required to survive without imported foods and fuels…
The story builds tension throughout, with soft moments of Evan’s children learning Anishinaabemowin words from the elders in between fights breaking out over emergency supplies, armed standoffs, premature deaths, and the realization that a community really shows its character during a crisis…
Actor Billy Merasty’s intense Canadian-ness adds something special to the narration. The sort of chill, slow-paced ‘how are your folks doing’ dialog while tensions mount contributes to the surreal nature of the crisis: these are ordinary people living ordinary lives until the crisis hits, and they maintain their normal pace in a realistic manner. (No one suddenly becomes a super-efficient action-movie-hero! ) His reading of the Anishinaabemowin dialog, and the way that local words mingle with Canadian English so naturally in inter-generational conversations, reminds me of inter-generational, multi-lingual conversations here – they are well written and well performed. (Merasty is a First Nations actor and author himself, though from a different group than the author.)
This is a well-written, compact, increasingly stressful book to read – stressful in a good way. I’m glad I read it!
Less by Andrew Sean Greer published by Little, Brown, and Company audiobook published by Hachette Audio narrated by Robert Petkoff 2017
This novel won the Pulitzer Prize!
Arthur Less is a 49-year old man living in San Francisco, trying to get his new novel published, dreading age 50, and trying to accept that his young partner moved out and moved on. When an invitation arrives to that young ex-partner’s forthcoming wedding (!!), he decides to flee rather than face it.
Piles of previously ignored invitations to be a guest lecturer, a conference speaker, a writer’s retreat participant, and more suddenly find their purpose – helping him avoid humiliation!
His escape out of SF and around the world does more than just help him avoid his feelings about ‘the one that got away:’ it nearly gets him killed, sparks new feelings, introduces new friends, offers insights about his life that he’d rather not have, has him offering to kill students trying to sign up for his classes, and gets him to his 50th birthday in a series of both sweet and absurd misadventures.
The excellent reading by Petkoff had me laughing out loud. Especially the portions translated from German, which Less believes he speaks fluently, to hilarious effect. Also: the general observation from a character that perhaps books about middle-aged white guys feeling sorry for themselves aren’t appealing. HAHAHAHA!
This is a fun, charming, novel about trying with all ones might NOT to see one’s life imitating art.
This is an artist’s biography, but not a traditional one. It does a great job of describing the life of Joan Mitchell, the abstract expressionist painter who spent many of her later years working in Paris while showing in the U.S.
Rather than a list of facts and documents, this biography reads like an oral history, told by a friend who was a big fan of Mitchell’s, who is sharing quotes and interpretations of pivotal phases of Mitchell’s life. It’s fluid, like fiction, as if Lippincott was walking down Paris streets with her and is remembering the mood and the color of the light in between snippets of paraphrased conversation and quotes from interviews.
It isn’t the biography I expected: it was more fun, like having a biography interpreted by a poetic friend.
Orphaned little werewolf Mani finds a bright, fallen star, deep in the forest. Her adoptive father, a human hunter named Wul, worries that a false star could lure her away… this is a charming chapter about an unlikely family in the forest.
Ambitious and outgoing Taiga is eager to be a famous actor and play heroes. At his school drama club, he immediately develops a crush on one of the girls on stage… but while Maria was raised as a girl by her determined mother, off the stage, he is a brave and traumatized boy named Arima.
This is a beautiful story about love, bravery, and being true to yourself. I was deeply moved, and impressed by both the quality of the illustrations and the sensitivity and strength of this story.
(I was crushed to learn that the extraordinarily talented young author, Peyo, recently passed away.)
This amazing African Futurist novel engrossed me completely this weekend!
AO has a many cybernetic enhancements, having been born with life-threatening birth defects, and having further been maimed in an unexplained autonomous vehicle accident. She’s followed her fiancé to a new city, made a life for herself, improved her body, and found a meaningful profession. After a rough day coping with the abrupt end of her engagement, she just wants to have a nice dinner. At her local market, however, locals who have been radicalized by a passing imam against the evils of cybernetics have other plans for her…
In a time of environmental devastation, oppressive corporate monopolies, and wireless energy transmission, AO finds herself on the run with a nomadic herdsman, a bloody nose, and an increasing awareness of the surveillance technologies that have infused every element of Nigerian society.
The tech is great; the inserted documentary about how some of the tech was invented is engaging and wonderful; the the environments, both urban and desert, are well described; the cosmopolitan people, the languages, the different traditions, the meals – all are vividly and richly laid out in world building of great depth for such a brief and satisfying novel.
I recommend Noor highly to everyone who likes a great, earth-bound, science-fiction story in a vivid near-future that never lets up the pace.
Barbara Kruger’s retrospective has been calling to me from afar, and I was able to buy the book to read up in advance of seeing it!
Kruger’s most famous past works are widely recognized for their iconic consistency: a bold, black and white image with direct, engaging, nearly accusing Future Bold Oblique text on a high-contrast (often red) background. (I can just say, “Your Body is a Battlefield,” and the image will pop into your head!) She’s done much more with words, and I’ve had the pleasure of exploring a room wrapped in her power-questioning, engaging, accusatory texts.
This book features a significant amount of engaging, unsurprisingly bold, unsurprisingly relevant new works by Kruger, plus excellent essays about her and the ongoing relevance of the questions her work asks. Her work quotes Orwell, mocks the powerful, and challenges our willingness to be reduced from active citizens to consumers. The essays approach her challenges to us from different angles, quote James Baldwin, ask about our tendencies to judge, discuss empathy and contempt, and are thoughtful throughout.
The collection of recent work includes long walls/rooms of text, and it’s great to have them in book form to be able to take the time to read them all the way through.
It also comes with homework! There’s a collection of essays at the end which are presented as a sort of “syllabus” to the lessons we could be learning from all of this.
It’s a great book – not just in content, but also in form! The covers are boldly printed book-board with a printed fabric spine, and all the fore-edges are painted the same green as her work (and the x’s on the cover). I appreciate the boldness of the design.
This book is HIGHLY recommended if you love: Barbara Kruger, well-produced art books, text art, and concise, incisive cultural commentary.