One of the funnier recommendations I’d read for this book observed that it was hilarious that, even in the future, scientists will devote entirely too much of their time writing grant proposals. Yes, this book EMPHASIZES that in a way that feels a bit too real!
Without revealing any spoilers, this is a science fiction story of first contact (my definition of it), environmental devastation, underfunded environmental restoration, practical business applications of time travel, and the risks of the combining those things!
Robson tells the story in a non-linear way, which is fair and even appropriate for time travel stories. Her approach develops an excellent tension while reading: you know from the first page that something will go wrong, but HOW it will go wrong and how the wrongness will be resolved is the mystery.
Robson’s world-building is done well – you learn about the different ways humans have survived the devastation they wrought without being bogged down with too many details. The way the world works is experienced as characters accomplish other things, which is efficient and makes the characters’ efforts feel appropriate. It is great to have some grown-up characters in the book: people whose experience, scientific knowledge, and past successes made them valuable. (I live in a youth-worshipping culture, so this stood out.)
I had my doubts about the book during the proposal writing sections (because, as someone with a procurement certificate and experience writing grants: TOO REAL), but was rewarded for my persistence with a book I couldn’t put down once the time travel started.
I don’t often write about video media, but I enthusiastically recommend the lovely, bittersweet animated series Don Hertzfeldt has been building, currently up to three episodes.
My synopsis of the first episode (2015): a woman from the future visits her toddler self, to explain that someday she will be cloned, and her memories will be transferred to her future clones. The toddler and her future self explore the beautiful, colorful, abstract, terrifyingly glitchy future, in which time travel tourism sometimes gets you killed.
These short, poignant, funny, philosophical films earned all the awards they have been given and deserve even more. The simple stick figures make the characters feel innocent and universal; the abstract backgrounds and art are great; the use of his toddler relative’s voice is brilliant; and the way all of these stories reflect a human struggle to find meaning makes these emotionally moving. I recommend these zealously, regardless of your tastes!
I’m going to classify this as a book, because I am using that classification for novellas, and I make the rules here. [ahem]
This story gave me the CREEPS. The best way I can think to describe it is as ethical horror for the Amazon.com age.
If technology was available to image your brain and make an AI copy of your mind and personality, how would others want to use that copy of you? How would scientists want to use it? How would your EMPLOYER want to use it?
See how dark your thoughts just went?
It’s somehow all the more creepy by the matter-of-fact, research-abstract tone.
I would have found this relatable for many reasons, including some geeky ones relating to emotional responsibility I felt over my clones in a 1990s role playing game. (You don’t need to know more about that.) But it also feels… appropriate to the moment in late stage capitalism that we are in.
Just go read it. It’s concise and remarkable. (The author moderates the comments, so the comments are readable!)
I’m a big reader, writer, and all-around-city-explorer, and don’t usually make time in my routine for television. In normal times I work long hours, see movies on the big screen with friends, go out to social dinners, run evening errands, take long walks, read non-fiction, go to evening museum events, and have a packed life: TV is just too big a time-suck. (I have so many friends who CLAIM they want to pursue some passion, but can’t because of time constraints; these same friends can summarize thousands of hours of shows, and don’t make the connection.) During this pandemic, however, I am heeding the signs posted throughout my neighborhood begging me to stay at home. Cultural institutions, movie theaters, most indoor gathering places, and all non-essential shops are closed. The streetcars stopped running, so my normal routes to explore are out of reach. There is news that melts my heart on every device around me, and I’ve found concentrating on books has been hit-or-miss, as my mind strays back to the problems of the day.
To refresh myself, I decided to seek out dystopian fiction in various video/film formats. Considering the times I am living in, I wanted something less optimistic than fairy tales or positive-future-sci-fi: since I’m living in a world where people would all become zombies due to their desire for ‘freedom’ or refusal to believe in a zombie plague, I wanted stories grounded in human flaws. I am fond of this genre (I have written dystopian novellas!!), and thought a distraction from current dystopia could be stories that are DIFFERENTLY dystopian. I found some great shows that could fully hold my attention and interest. (What are the odds?)
I’ll write about them here, in the order I watched them in:
Note that this series is set in the future of an alternative world of the ’80s comic book of the same name, but this series can also stand alone. (I do NOT recommend the 2009 movie, which is unduly creepy toward its female characters.)
Overview: decades after corrective actions are made for the (real life) 1921 Tulsa Race Massacre, white supremacist violence leads the police to need to wear masks, hide their identities, and engage in very direct confrontations with extremists. The series follows one remarkable veteran and police-officer who tries to raise her family and make Tulsa safe against violent, organized terrorists. Meanwhile, the world is pelted with rains of interdimensional space squid, and people bemoan the disappearance of the god-like superhero who won the Vietnam War for the U.S.
Why I like it: it was done well enough to give me actual anxiety, so I needed a break after the first episode before I could deal with the rest! The casting is great; Regina King is a bad-ass, compelling lead; Jeremy Irons is a compelling, amoral character in a weird situation; the sci-fi elements are pretty chill, and presented in a matter-of-fact, non-distracting, just-roll-with-it way; the dialog is tight… I felt INVESTED.
Lovecraft Country (2020, one season, 10 episodes, HBO (series page))
Overview: a veteran’s father goes missing, and his search takes him and his loved ones through the dangers of both a segregated, racist, violent U.S. AND an equally dangerous, secret world of magic, curses, and monsters from another universe.
Why I like it: The primarily black cast is fantastic; all of the characters are developed, interesting, flawed, afraid, and determined in some way; the villains are layered, and their infighting and rivalries are elaborate; the costumes (especially for Ruby and Christina) are GORGEOUS; the plot is mysterious; the plot stakes are high – there are dark and often fatal consequences for mistakes and misunderstandings; the sets are great and varied… Oh, and like Watchmen, the Tulsa Massacre also figures in.
This is the first show that I’ve listened to the PODCAST for, and it was worth listening to! There is a lot of insight on the characters and script that I didn’t know I wanted to know.
Overview: Elite military operative Takeshi Kovacs is revived after 250 years in a digital prison, given a new body, and obligated to solve the murder of the wealthy creep who bailed him out. His pre-owned body has its own history with the police; his mind has a history with his mercenary sister and his lost rebel love interest, both of whom may still live.
Why I like it: it’s real sci-fi! The world is compelling, and the debates within both seasons about the ethics of the technology are realistic; the characters are fun; the world is diverse (the way my own world is); the head rebel love interest is a fun character (yes, three in a row in this post with a compelling black female lead!), and all of the major female characters have compelling motivations and different skill sets; the actors who play Kovacs are all fun, attractive (well-defined abs for miles!), and each get their own timelines/eras to take on, which lends variety and clearly defines eras in his life; the sets are great; there are some tech-artifact mysteries to be solved; and a lot happens.
Raised by Wolves (2020, 1 season (so far), HBO (series page))
Overview: After a war between religious and atheist groups leaves the earth in ruins, two androids are entrusted with human embryos to raise on Kepler 22-b, far from the dangers of human zealotry. The planet is strewn with the bones of extinct, giant reptiles and hot gas vents. It is difficult to provide enough food to keep the children healthy. Meanwhile, a colony ship is on the way, and the religious colonists believe it is a sin for androids to raise children. However, Mother, one of the androids, happens to be a reprogrammed weapon of mass destruction…
Why I like it: Ridley Scott brings us layered sci-fi! Settling new worlds, and all the things that can go wrong in that effort, is always exciting, and the design of the ships, sets, and such is all stimulating. (That colony ship!!) The two androids, Mother (who appears as a young, white woman) and Father (who appears as a young, black man), show their quirky, awkward, charming dedication to child protection and collaboration, while engaging in a purposeful rebellion against their original servant programming and the religious patriarchy. YAAY FOR ANDROIDS OVERTHROWING THE PATRIARCHY! Oh, and the villains (whose motivations change over the first season, and who (of course) do not believe they are villains) are interesting, too.
Science Fiction custody battles are the best custody battles!
These are all recent shows, and I recommend them if you like high stakes, well-executed, entertaining stories.
I’ll write about older video works, including animation, separately and later.