The hard-to-find hardcover compilation of the comics
William Gibson’s Archangel by William Gibson, Michael St. John Smith, Butch Guice, and others published by Idea and Design Works LLC (aka IDW) 2017
This World War II spy thriller incorporates William Gibson’s recent theme of branching alternative futures in an action-packed, dark comic book.
A brief synopsis: a despotic American leader on a toxic earth goes back to 1945 to create a new branch reality in which he has even more power. A small resistance force plans to interfere…
The story is fast-paced, and the action is dense. The compositions are dynamic, with lots of diagonals, fists, kicks, and planes flying at steep angles. The panels are sepia-tinted and dark, with deep colors and deeper shadows. The characters have a lot of texture, shading, wrinkles, coarse fabrics, and the sort of surface definition that comes with harsh lighting. (Or orthochromatic film, which played such a big part in the noir look of movies of past eras.) The faces are expressive and stern. (Characters’ faces sometimes look unfamiliar, which is a minor distraction in a solid series like this). The drawings set a really remarkable mood, and I’m especially impressed that I’m even THINKING about the coarse look of fabrics!
The individual issue cover art by Tula Lotay (tulalotay.com) is more vivid, with a different palette (remarkable greens and purples), and slightly different interpretations of the characters. These look fantastic.
This is a well produced, action packed, very William-Gibson story, but with WWII noir and timeline-splinters that started far back in time, which distinguish it from his other works. There are additional cover art panels and sketches of each of the characters the appendix, to round out your appreciation of the effort that went into this great book. I’m so glad I found the compilation!
Unexpectedly, IDW has very little promotional content on their website about this comic, but did produce a lightly animated preview!
Lagoon by Nnedi Okorafor published by Saga Press (Simon & Schuster), NewYork 2014
This ‘first contact’ sci-fi story by Nnedi Okorafor immediately delighted me, because the first earth being the aliens communicated with was not human. Hooray for other species getting their moment to shine!
This is a story of aliens turning up off the coast of Nigeria, and the chaos that erupts when they announce themselves and walk among the residents of bustling, cosmopolitan Lagos, Nigeria.
The aliens are good at making friends, and so three humans find themselves taken by a wave into the sea for deep (heehee) conversations, and then tasked with assisting an alien representative in meeting the public and authorities. The humans have their own messy lives and drama, and get abundant additional drama served up to them by their relatives and neighbors. I hope I would be as smart, curious, and enthusiastic as the marine biologist of the group if aliens dragged ME into the ocean!
It’s a fun ride! Lagos is depicted as lively, corrupt, dangerous, bustling, and nearly addictive; the humans of Lagos are curious, food-obsessed, friendly, opportunistic, self-aggrandizing, helpful, loyal, violent, religious, superstitious, music-loving… It’s a great setting, and the dramatic reactions the public has to the news seem entirely fitting. (Especially now, years later, during this global pandemic, it is even more convincing!)
I enjoyed this VERY much, and having already enjoyed Binti, I’ll now need to find some additional Okorafor (nnedi.com) books to dive into.
Cover of Tokyo at Night, art book by Mateusz Urbanowicz
Tokyo at Night (translated Japanese title: Tokyo Night Train Works) by Mateusz Urbanowicz published by MdN Corp, Tokyo, Japan 2019
This is a beautiful book of NIGHT TIME contemporary, urban watercolors by a professional artist/illustrator for Japanese animation films. If you have ever wondered what animation artists do in their spare time, the answer is: they create MORE ART!
You may find this book review inevitable, between my fuss over ordering books from Kinokuniya Books in San Francisco, my background in architecture, and my appreciation of the background illustrations in Japanese anime I caught up on during the pandemic. Kinokuniya featured Urbanowicz’ other work, Tokyo Storefronts, prominently in its windows, and those are great, but night time watercolors are definitely within my special area of interest!
“Tokyo at Night”「東京夜行 作品集 ②」 · Mateusz Urbanowicz
Home website of Mateusz Urbanowicz; artist, creator working in Japan.
There is a lot to appreciate here.
First, Urbanowicz has some conflicted feelings about contemporary urban surfaces in Tokyo. There are a plenty of hyper-modern concrete facades, overhead wires, metal roll-up doors, overpasses, and other functional urban shapes, all of which are both a great visual challenge for an artist AND a sort of painful visual blight for someone who appreciates historic/traditional Japanese design more generally. I like that Urbanowicz embraces this hypermodern chaos, accepting it for what it offers visually, and sharing some of his feelings about it.
On a related note, Urbanowicz isn’t choosing beloved landmarks that would already have a warm place in your heart: he is choosing ordinary urban scenes that you wouldn’t ordinarily go out of your way to glorify. As so many people favor conventionally pretty, “popular” scenes to benefit from existing affection for a subject, I’m all the more impressed for his originality and effort to make remarkable work about ordinary locations.
As a professional illustrator, Urbanowicz takes a very practical approach to these works. He uses waterproof ink where that benefits the work; he uses opaque white paint when that creates an effect he wants; he uses masking fluid; he uses an airbrush when he wants to soften something. He uses watercolor for its strengths, and uses other tools when they contribute. He also revises compositions when the real life arrangement wouldn’t make a great image. He offers and illustrated guide near the end of the book to share his techniques, so we’ll appreciate the human effort that went into doing all this work by hand. It’s quite refreshing that he is so skilled with many tools, and isn’t unduly strict about single tool purity.
I’m especially impressed that he created all of this work on light paper. That required laying down a LOT of pigment, and he chose his materials and approach carefully, so that his washes remained clear and smooth. (My own washes get very grainy in unfortunate ways when I try to work this this kind of saturation, so I really appreciate his fantastic washes – I appreciate just knowing that this kind of saturation is possible!) Many painters render night scenes in opaque paints, especially oils, so seeing this work done in watercolor expands my idea of what is possible in watercolor.
This is an impressive and enjoyable book of great watercolors for fans of watercolor painting, hard-edged urban details, night scenes, Tokyo, Japanese urban environments, and any of Urbanowicz’ other work.
One of countless storefronts that have been tastefully decorated while we wait to emerge from pandemic hibernation. This mural on Market Street is by Ryan Montgomery of Geary and Hyde Design. Such great stenciling!
There was a brief time period today when objects in my neighborhood had shadows. It was gradual: the fog became very bright, and suddenly, everything had a defined edge!
It didn’t last, and that’s okay.
Yesterday, I escaped the fog bank by heading across town northeast, and managed to shoot film for one of my projects in bright sunlight. I was nice to experience that direct warmth, to see how colors pop and objects shine. (*fond sigh*) (You can see phone images from these field trips at the July 2021 section of mobilelene.blogspot.com.)It was also delightful to sit near the waterfront, hear seagulls, listen to water moving, and watch hundreds of people wearing Pikachu visors wander around, staring at their phones while playing some game.
I love this town.
I love so much about San Francisco, even while I’m able to see its flaws.
When my pen pals ask what it is ‘like’ to live in a famous tourist city, I tell them about the diverse local restaurant culture, farmers markets with farmers from around the region (including produce varieties you can’t find in stores), large parks and widely accessible outdoors, local coffee roasters, bookstores, museums, universities, hospitals, mild climate year-round, a robust economy, a strong sense of community and volunteerism, and a welcoming, come-as-you-are cultural history.
The City’s flaws are also present, though the pandemic has confused when/where they are most visible, with life disrupted for so many people in so many ways. These are the sorts of flaws that come to mind when you have sheltered visitors from out of town visit, where you try to figure out how to warn them away from dodgy areas and give them tips on how to cope with visibly unhinged people. Not all these flaws are of local origin: we have housing shortages in urban areas throughout the west coast, and a lack of mental health services throughout the country. We do try to manage them locally, and the pandemic has disrupted our solutions for those things, too!
I’m making time to get reacquainted and see what has changed.
Surface designed by the Master in Dr. Strange (not really)
Weblog by A. Elizabeth Graves. iPhone photography and links to science-y and foodie topics.
The City’s structure is visually stimulating, and the combination of old and new buildings, spaces, and parks gives me a lot to see and think about. Buildings I photographed in the past have been wholly replaced; shipyards have been turned into parks; brick industrial buildings have been gutted and turned into luxury housing… there is always something new, something old has a new neighbor that provides an interesting new contrast to, or old things age in interesting ways.
ASIDE: This sort of renewal is healthy, though it often feels like it risks pushing key activities out of the county – it should be possible for light industrial to operate without being priced out, to have foods and tools and clothes and messenger bags made here, to roast coffee and sell used books, to NOT require every shop to sell something with an luxury brand logo on it.
We should have some economic diversity – you shouldn’t need to be a brain surgeon to live here! If you think of wealthy communities down the Peninsula that are filled with brain surgeons, you realize that they have nothing to recommend them to visitors.
I missed having daily experiences of the City while I was a frequent business traveler at a prior job (especially from late 2013 through late 2018); I hoped to refresh my relationship with my hometown, yet missed it while working long hours in the first year of my current job (2019); I then couldn’t access anything beyond my neighborhood during our stringent local COVID ‘stay home’ year (all of 2020 until May of this year), which was somewhat beside the point, because many of the indoor things I’d want to access were closed for our safety. So, as I go out now, seeing some favorite places still boarded up while others are back and lively, I feel that I need to refresh ALL of my local knowledge. Which is a good excuse to wander!
I was cheered earlier this year during videos from the French crew of the solar-sailing-hydrogen ship Energy Observer, which is sailing around the world to publicize solutions to the climate crisis.
I got a little misty when they arrived here in San Francisco earlier this year, and spoke with such optimism of the technology and solutions that our region offers.
I recommend the Energy Observer YouTube Channel, which is filled with short, manageable clips on diverse projects, which include interviews with innovators solving specific environmental problems, including locals who are responsibly improving the natural environment in their areas (normal people, not JUST VC-backed inventors!). You can turn on English subtitles for the videos, and hear members of the crew speak about a range of topics during their adventures.
Their well planned media approach shows there are MANY solutions to our current environmental challenges available, each fit for its local purpose, and that we’ll need many of them to solve the climate crisis.
You can also visit them for a detailed look at their own ship’s tech at the Energy Observer website (energy-observer.org).
Half of a Yellow Sun by Chimamanda Ngozi Adichie audiobook narrated by Zainab Jah published by Penguin Random House 2007 (audiobook in 2017)
How could anything as horrific as a civil war make for such an engrossing, heartfelt book? I am touched, moved, horrified, pained, and I zealously recommend this novel.
Half of a Yellow Sun follows the lives of two women, non-identical twins with a privileged background, living their lives in recently independent Nigeria in the 1960s. One is a university professor who is deeply in love with a political firebrand with a scheming, old-fashioned family that wants him to be with an uneducated woman; the other is a savvy businesswoman and fixer, stepping into her father’s role in the corrupt business world. We get to know them, their lovers, and their households well, the steady patterns of their comfortable lives, the awe in which their rural house staff view them…
And then massacres begin. Massacres of the Igbo people, the ethnic group these characters all belong to within a diverse, post-colonial Nigeria.
It’s clear that the new nation, with many of its persistent, colonial-era power imbalances between groups, cannot stand – the Igbo can’t share a government with people who kill them while calling them infidels. Biafra, a new nation for the Igbo and other southeastern groups, is declared… and a slow-motion disaster unfolds, as Nigeria won’t let them go, the military intervenes, and the major powers of the world take sides – and nearly all take the side of Nigeria against Biafra.
By making the decline personal, by seeing these sisters and those they care about take up the cause of their new nation, and then gradually have their world destroyed, is brutal. The decline, the horror, the hardships, the atrocities, reading about their (fictional but representative) experience of it all while knowing how badly it ended in real life – it is gutting.
I listened to the audiobook version, brilliantly performed by Zainab Jah. Her presentation of the Igbo phrases, the local and British accents, pleading children, shouty-old-ladies ordering people around or accusing them of witchcraft, the swearing Americans – her performance was FANTASTIC!
This is a brilliant novel, and a forever timely reminder of both the damage done by the empires of the past and the absence of a peaceful path for self-determination for groups of all types today, who are trapped indefinitely within the borders of a previous century.
Is it time to add another banner? I think it is! This isn’t recent, but I like the texture.
It was a good day to wear a jacket here in San Francisco, but just two and a half hours east where my parents live, it was over 100 degrees Fahrenheit. It was 107 there yesterday. The fact that there could be a fifty degree difference over such a short distance is amazing. I am grateful that the difference is in my favor. Hooray for the cooling waters of the Pacific! Hooray for the insulation of San Francisco Bay!
While my photographic plans today were foiled (they required direct sunlight from the east prior to 11am), I did travel to the eastern edge of town after lunch, and so enjoyed having a shadow for a few minutes.
*
The City still feels… off. Sleeping Beauty isn’t awake yet, and the sounds and sights remain muted. It is lively in spots – Japan Center’s Kinokuniya Building was HOPPING at 11am! – but then I can walk blocks without encountering another human.
Some favorite places are still boarded up. Paper covers too many windows. There are still holes in our urban fabric, and a sad sense that even more people are suffering than usual.
*
A friend has admitted that she dreads full re-opening and what passed for normal, because “normal” was too frantic for her, involved too many obligations and interactions that didn’t really suit her. It was an unexpected insight from someone who had previously just avoided the news.
It is worth thinking about: what the smaller impacts to daily life are that manifest along the edges of this still-unfolding tragedy which we might learn from.
(Aristotle described tragedies as being caused not by intentional villainy, but by a flaw in the character of the hero-protagonists. (See the explanation of Hamartia in Brittanica.) There certainly are a lot of human flaws on display during this pandemic!)
We could all benefit from living more thoughtful lives!
The premise behind this book is that lots of women are designing impressive buildings you recognize, buildings that are worth celebrating, but you may not be aware of this because their work is often shown under a firm name or misattributed to men. To correct this gap in your knowledge, this book collects excellent projects, both recent and historical, and tells you about the architects behind them.
So many gorgeous projects, including projects you have seen in magazines or in person! (Via Phaidon’s website)
The selection of projects neatly tilts toward my favorite types: large public works, plus large private projects, both of the type that are experienced by a lot of people: concert halls, offices, museums, schools. Each architect is represented by a brief biography and one or more excellent project photos with key details for further research. Collaborations between men and women are recognized and celebrated in an acknowledgement of the team effort that contemporary architecture ordinarily requires for large scale projects.
Hall is very modest about her research and the limitations of the Europe-centric architectural awards processes that favor Europe and selected other regions, but I am delighted by the geographic range of her selections.
The essay and quotes in the book underline the importance of spotlighting these high quality projects to correct for the erasure of women in the field. Hall calls out the 2014 scandal around having architect Patty Hopkins photoshopped out of a photo of architecture award winners, while her husband was left in for a BBC show about their shared firm’s work – even though she co-founded the firm, and their shared name is on it! (See the article in Architects’ Journal entitled, “BBC slammed for ‘bias’ after Patty Hopkins is sidelined in TV show” dated March 5, 2014 by Richard Waite and Laura Mark.) It isn’t just about the photo, it’s about the program’s premise that men were exclusively responsible for the shape of contemporary design – the photo was just a reminder that the facts did not support that narrative. If your are actively edited out of discussions about the firm you co-founded and the projects you worked on, just to indulge some stranger’s all-male hero narrative, who is safe? The lone genius theory is bad enough, but diminishing key founders because of their gender is outrageous.
“No matter how my work was published or credited, it was seen as Venturi’s. The notion that we might both design seemed inconceivable.”
–Denise Scott Brown
(This issue is, unfortunately, relatable: a male teacher happily gave my boyfriend/classmate credit for my architecture work because just once I used my bf’s woodworking tools to build a model, though if he had borrowed equipment from me, the reverse would NOT have been suggested. My bf told me he took it as a compliment (to him). Their creepy camaraderie over rewarding him for my work made quite an impression on me.)
This is a beautiful, oversized book of great projects with lovely photos. The core details about the firms behind the designs are enough to send you in the right direction to learn more. The presence and success of the women behind these projects is encouraging and satisfying.
This book also gives you an excuse to visit the Phaidon website, which is GORGEOUS and has many wonderful temptations, especially the fine art monographs and design books.
This award-winning novel tells the story of Natsuko, a young-ish-but-not-young writer who survived her youth of poverty and hardship, only to be uncertain of her purpose and judged by her peers for not living a conventional woman’s life, as they have.
While Natsuko’s dear older sister struggles as a single mother by working at a failing bar, repeating some of their mother’s choices and hardships, Natsuko wonders if motherhood is the relationship that will fill her own life with meaning. While trying to come to a decision, Natsuko approaches those around her with something close to an interviewer’s curiosity, as they reveal their own views, compromises, and dissatisfaction with their choices and obligations.
This novel manages to describe so much: abuse, living hand-to-mouth, the limited options available to women who leave their marriages, they way you can go back to your hometown (but it will NOT be the same), dreary literary readings, creepy pressures from relatives to bear children and tend to thankless in-laws, the (unnecessary and ruinous) shame associated with adoption and artificial insemination, and the atmosphere of countless rooms near train stations where people meet for coffee, rounds of cocktails, deep confessions, and inappropriate offers! (I am transported back to gray November days in Tokyo just writing this…)
The novel covers many years, and so many conversations, Throughout that time, season after season, the pressures on Natsuko to resolve her life situation (and/or finish her new book) never let up.
Breasts and Eggs is a well written, engrossing book about struggling to make a life that works while withstanding (gendered) societal pressures and writers block. It’s well told, and I’m glad I read it.
Eco Living Japan: Sustainable Ideas for Living Green by Deanna MacDonald published by Tuttle, Rutland, Vermont 2015
This is a beautifully illustrated survey of Japanese building projects which show a commitment to environmental sustainability.
This book grabbed me right away by immediately explaining something that had always confused me: why are homes made with renewable, traditional materials so rare? The answer that explains it all: insurance companies won’t insure old houses. One MUST tear down and rebuild to new codes every 30 years to get insurance. And so houses are basically disposable, and less sustainable materials can be cheaper, faster, less flammable, or more fashionable.
Some of the edgy, innovative Japanese house books I’ve seen are now so easily explained: no one is building for the long term, so being over-specific for a point in time, or taking risks, and being daring makes more sense – you won’t have to grow old in what you build! (Even in the recent Japanese fiction I’ve been reading, families tear down buildings to sell an empty lot – this seems to be considered the best choice almost always…)
This book profiles a range of projects from architects with a range of attitudes and credentials about environmentally sustainable building. It is a buffet of different eco-emphases: some projects focus on energy use, some on thermal insulation, some on traditional wood treatments (like charring to protect against insects), some on attempting to preserve the natural features of a landscape by resting on smaller foundations (which involves using a lot of steel, however), and all result in a range of reasonably conventional homes that wouldn’t jump out as eco-friendly without some explanation.
By showing a diversity of approaches and solutions, the book provides a good survey of concerns that CAN be addressed and SHOULD be considered. You CAN have a normal-looking house while making better choices!
As with all architecture books, I get a better sense for how living in the spaces could be when they have signs of human life in them, such as art or furnishings, so I am relieved that several of the homes are furnished, at least minimally. While a few of the homes are absolutely palatial (the vast, full floor height, insulated windows in some of these projects alone probably cost more than my entire house), there are some modest / practical ones in the mix. I also appreciate the interludes to cover topics such as the use of landscaping, and kit homes (hello, Muji!), and the inclusion of some international projects to tie what is happening in Japan to global trends.
Overall, this is an attractive, nicely presented book showing how many potential approaches there are to improve the sustainability of residential construction, especially in the climate and circumstances found in Japan. I enjoyed it.
