Reading: In Progress

Books I’m reading now:

  • The City We Became by N.K. Jemisin (audiobook): a futuristic tale of how cities become their own life forms, but must be defended against ancient eldritch creatures who prey upon young cities. Humans act as the City champions. There is a sequel, which I already have on paper.
  • Weapons of Math Destruction by Cathy O’Neil: non-fiction about how algorithms are both poorly designed, intentionally opaque, and then misused to deny people good things, like jobs and healthcare.

I have some promising sci-fi recommendations, but some of those are also a series, and I’m considering waiting until that is complete before I start.

Also: I’m very eagerly waiting for the third book in William Gibson’s Jackpot Trilogy. The line between eager and impatient is written in smearing graphite for me: I’ll be so excited when it is released! (Also: more of The Summer Hikaru Died, which you are getting the blow-by-blow of here because I can’t contain myself.)

I’m also still reading entirely too many manhwa, including new seasons of those I endorsed earlier, plus many that I’ve started (described below) but may not finish. The two most likely to keep my attention are in bold.

  • A Savage Proposal (Webtoon), in which the young princess of a defeated kingdom agrees to marry the infamous warlord who defeated her armies, sacrificing her happiness to prevent the wholesale slaughter of her subjects, only to discover that he is… young, really hot, and more respectful to her than the creepy men of her own kingdom.
  • I Will Become the Villain’s Poison Taster (Tappytoon), an isekai story in which a modern girl winds up in the body of a villain, decides the villains might be her only safe allies if she wants to survive, and begins to suspect that the heroes are up to no-good. (Silly dialogue, naive heroine.)
  • Frost will Always Fall (Tappytoon – age restricted), in which a directionless modern girl with a shamanic family has flashbacks to her past lives, where she is torn between two men, at least one of whom she has hot sex with in both the past and present. One of the men has killed her (past) and/or will kill her again (future), though she isn’t sure which.
  • The Villainess Empress’ Attendant (Tappytoon), in which a knight runs away from her kingdom and royal boss, and winds up a servant to the empress of her adoptive homeland – and swears to use her powers to protect the lovely-but-gaslit empress against some unexpectedly close and evil foes with terrifying powers. (The crown prince is pretty. This always helps.) This is wholesome.
  • The Young Emperor Is Obsessed With Me (Tappytoon), in which a mage who prevented the destruction of the world by sealing an interdimensional gate used by evil invaders is adored by a sociopathic boy, who grows up to be a sociopathic emperor; he burns down her house & enchanted forest to force her to live with him (oh-oh); she may be the key to defeating a returning threat to the world, if she can overcome the traumas of all she lost.
  • To My Husband’s Mistress (Tappytoon), in which an innocent young woman falls for a love scammer who kills her father and then has his girlfriend kill her; she takes on a new identity for a multi-year plan to bring her killers and their accomplices to ruin while drinking too heavily, loathing herself, and being bankrolled by a frequently shirtless prince with his own revenge plans.
  • You Can’t Kill Me: The Secret Bride of the Black Wolf (Webtoon), a woman abused by a powerful husband in the afterlife dies (?) there horribly, but relives her earth death and has a new chance at her underworld afterlife (?) by marrying a different, random underworld nobleman; her new husband is patient about her PTSD, but doesn’t know her true situation, nor that he is interacting with her past-afterlife-abuser.

The overarching theme is: women in unusually bad situations having a do-over in some form. Let’s not wonder why I am drawn to these stories, or if we must, emphasize that most of them will likely have a happy-ish ending.

Film: Alien Romulus

Alien Romulus
directed by Fede Alvarez
from 20th Century Studios
2024

The Alien franchise (which I loved the first two films of) gets a classic/traditional addition very similar to the first movie.

A group of young people trapped in endless mining-colony/company-town debt devise a plan to salvage cryopods from a derelict structure in orbit to escape from their slavery and all associated corporate planets.

What they don’t know is that the structure is a Weyland-Yutani Corporation lab, and was the scene of a grizzly accident involving certain xenomorphs…

The introductions to the characters are efficient, yet also effective in explaining their desperation. Great sets (love those labs, the hallways, the blinking analog buttons, asymmetrical doors…), great monsters, great atmosphere, solid pacing, everything I want in sci-fi. The rings around the planet are LOVELY, especially close up!

Yes, in the Before Times (pre-2020), I would have argued that people are not so foolish about the risks of deadly contamination, but I know better now. The odds that humans would TOTALLY bring alien-contaminated friends back to their only spacecraft, or insist that they could quickly open a door without letting a fast and fatal xenomorph through, are through the hollow, alien-filled roof.

This is a great addition to the Alien family, and I’m impressed with the friend who recommended it to me. I recommend it!

Book: The Kaiju Preservation Society by John Scalzi

Cover for the audiobook of The Kaiju Preservation Society by John Scalzi
Audiobook cover

The Kaiju Preservation Society
by John Scalzi
audiobook published by Audible (8 hours, 2 minutes) and narrated by Will Wheaton (!)
2022

John Scalzi had fun writing this book (you can tell), and Will Wheaton may have had EVEN MORE FUN performing it!

Jamie is desperate as the COVID-19 pandemic strikes, after having been laid off by his annoying dude-bro boss at a food delivery startup. As he scrapes by delivering food with yet another corporate restructuring hanging over his head, an acquaintance offers him a lifeline: a job at an “animal rights organization.”

A job that pays very well.

That will take him off into “the field” for long periods of time.

One that will wire money back to his roommates. One that requires shots for conditions that might not even be real. Wait, what?

Jamie is reluctant to believe that “the field” is located on an alternate version of earth, in a universe where earth developed differently, and came to be dominated by highly radioactive kaiju. Who can come over to OUR earth when certain nuclear events occur, which led to real events that inspired our Godzilla films. And where Jamie can support an international team of scientists while they try not to be killed by the local flora and fauna.

I don’t want to spoil anything, so I won’t specify the arc of Jamie’s adventures, but it is a good time. There is something deeply satisfying about hearing Will Wheaton shout sarcastic dialog and joyous profanity. Scalzi includes many old geek references in this book, so many that I worried that I should stop saying that certain phrases would make good band names. (Editor’s note: The younger people I work with are unaware of this geek tradition, so I’ll keep doing it until they groan.)

This book is fun. Lighthearted, profanity-punctuated fun. I recommend it highly.

Reading: What I’m Reading Now

  • N.K. Jemison has a collection of short stories, and while many of them are from earlier in her career, they don’t feel like early, learning-the-craft stories – they are absolutely superb. The collection also opens with an essay about what it is like to write science fiction stories with people who are like us ethnically, and how great it feels to envision futures that include us!
  • I Tamed My Ex-Husband’s Mad Dog (graphical fiction) is in chapter 89, and either everyone is going to die, or the main characters will live happily together, or maybe they’ll be happy for a VERY BRIEF TIME before they all die? IT IS SO TENSE! I could barely make it through chapters 87-88, which involved a lot of blood – blood that had belonged to one of the main characters, so they couldn’t make the joke I like so much about it being someone else’s.
  • The Broken Ring: This Marriage Will Fail Anyway (graphical fiction) is at chapter 82, and there is some tension building as the main characters are apart, as one of them figures out who the assassination target was during their vacation, and tries to get information on… something that they shouldn’t be able to remember.
  • Men of the Harem (graphical fiction) has resumed at full speed, and it isn’t completely clear that Empress Latil is the vampire lord that two of her most handsome fans hope she will be. It also isn’t clear why she can punch vampires and send them flying across a room. Also, magic tools allow some characters to wear the faces of other people, a complication I didn’t need!
  • The Remarried Empress (graphical fiction) has also come out of hiatus, and I’m still pleased by how much the art style tightened up over the course of its 187 chapters (so far). While the empress’ remarriage was supposed to be primarily political, her new spouse is so much more fun than her old one! And, because paternity testing science exists, there is a lot of drama in her former palace…
  • US Political and World News. There is SO MUCH OF IT right now. And it is a roller coaster.
  • Letters. Which my hands have hurt too much to respond to prettily. (I think I understand why there were so many searches combining COVID and arthritis….)
  • My Japanese lessons. Oh, the torment of half-remembering a language!

I hope your own reading provides you as much pleasure as mine gives me.

Book (Manhwa): The Dark Lord’s Confession by Topseoung

Screenshot

The Dark Lord’s Confession
by Topseoung
published by Webtoon (100+ chapters, ongoing)
2022 – present

Lapis is a girl living in a world divided between people naturally marked with a symbol of good / holy magical power, ordinary people, and unfortunate people naturally marked with the symbol of an incurable curse and magical powers. Those with the mark of the curse are automatically deemed evil as a result of their potentially contagious illness, and must live in hiding or risk being murdered at any age upon discovery. Their murderers blame their victims for being inhuman, so that they can feel better about slaughtering their own friends and neighbors who bear the mark. Those who survive by hiding their mark will inevitably turn into literal monsters if they don’t kill themselves first.

Lapis has the curse. Optimistically, after living with two sweet girls who have their own sad backstories, Lapis is determined to go to a holy school to become a holy knight – surely, if she can master holy powers, she can find a cure!

After failing the entrance exam for knight school countless times, Lapis is attacked by monsters while practicing magical symbols, and accidentally summons the Dark Lord, the being who is supposedly responsible for the curse. When holy soldiers turn up to see what all the ruckus is, Lapis… somehow barely passes the holy power test, and can study to be a Holy Knight!

If anything goes wrong, Lapis will be murdered in cold blood by her classmates and teachers. If things go right, Lapis will be forced to murder innocent people who bear the curse, something she is far too kind and ethical to do.

Illustration of Lapis and Calla dressed up in a scene from The Dark Lord's Confession by Topseoung
Lapis and Calla dressed up in a scene from The Dark Lord’s Confession by Topseoung. Topseoung’s style is fun – the characters are so bold, Calla’s hair goes on in curls for many panels, and women warriors are giants!

Meanwhile, the Dark Lord, to the extent she can be trusted, is telling Lapis that holy and magical powers are the same, and that the curse CAN be undone – but the holy knights and will try to prevent that from happening. Lapis has a role to play in fixing the world, saving those with the mark, and exposing the thousand year old plot that made the world this way – if she can survive in the heart of a holy place founded by the Dark Lord’s rival.

This is a story of religious corruption, a goddess from outer space, cults with their own agendas, lasting traumas over murdered loved ones, the persecution of minorities, land poisoned with curses/diseases/magic based on Roman mythology, health crises, girls swooning over handsome women, secret basements, broken swords, unique powers, dancing with romantic interests who would kill you without a moment’s hesitation if they knew which mark you had, violent sibling rivalries, betrayals, arena duels, the unconditional love of friendship, and falling stars.

I didn’t want to put it down (see me recharging my phone after hours of reading), and read through 100+ chapters in three sessions – and I’m eager for more! I like high stakes fantasy tales, and look forward to this story continuing.

Book: Don’t Go Without Me by Rosemary Valero-O’Connell

Cover of Book: Don't Go Without Me by Rosemary Valero-O'Connell

Don’t Go Without Me
by Rosemary Valero-O’Connell
published by Shortbox (link to their X page, their website is broken)
2019

This is an enjoyable and visually pleasing collection of three illustrated stories: of a couple becoming unintentionally separated during an inter-dimensional trip, a spacecraft that runs on human memories malfunctioning explosively, and people preparing for a giant to wake.

Valero-O’Connell’s illustrations are extremely charming – I love the shapes of their inter-dimensional animals, the softness of their characters’ noses (some so similar to my bi-racial nose), and the detailed illustrations created with such nicely chosen limited color palettes.

Whatever you want to do, do it now.
Wherever you want to be, be there tonight.

Concise, well-told stories; skilled and pleasing illustrations; and somehow also lessons about valuing life and what you have. This is a great collection!

This selection was highly praised by the staff at Silver Sprocket, but there are so many good choices to be made there, that I can’t take too much credit.

Film: The Creator

The Creator
published by 20th Century Fox
2023

This science fiction film is stunningly beautiful.

The story takes place in a future where robots, synthetic people, and artificial intelligence HAD become part of modern life, until a disaster attributed to artificial intelligence occurred in the U.S. As the U.S. turned against its technology, Asia continued to use it, and this leads to overwhelming U.S. military aggression in pro-technology Asia.

The story centers on the experiences of Joshua, an American soldier who infiltrated a pro-AI group in southeast Asia. While on assignment, he falls in love with Maya, a medical scientist who had helped him with this prosthetics, then loses her due to U.S. military action. As he mourns her, he is called back into action after someone who resembles her is recorded, giving him hope and his own personal mission as he attempts to locate a new AI super weapon.

This film was directed by the Rogue One director, and all the things I loved about the use of locations and landscapes in that film is vastly expanded in scenes that vary from science fiction military bases to tropical beaches and riverside refugee towns. The vastness of U.S. military equipment, the culture of them-versus-us, the determination of Colonel Howell who wishes to get the mission done and avenge her sons… The pace is fast. Flashbacks are used effectively to explain Joshua’s motivations. The focus on the super weapon and Joshua’s private mission keep the action focused. It is intense, high-stakes, persuasively acted, and the world and its technologies are compellingly designed.

It is gorgeous. I purchased it as soon as it was available, and have enjoyed watching this film several times. (I also blame it for putting Dream On by Aerosmith onto my playlist.). I highly recommend The Creator for sci-fi fans.

Film: The Marvels

The Marvels
published by Marvel Entertainment (which feels self referential, but isn’t)
2023

[Me, shouting:] THIS IS AN ACTION COMEDY. Viewers laughed loudly in the theater with delight at appropriate moments when I saw it! I enjoyed it. It was intentionally silly. It was perfectly FINE.

But whoever was responsible for most of the ad campaign should be interrogated and maybe have to spend a few years locked up with Loki, or perhaps reading rival DC’s hate mail.

The film previews were misleading. Maybe the ads came out during the writers-strike or were the work of an evil intern, but they featured dead Avenger flashbacks about fighting great evil, rather than costumed musical numbers involving a hot prince singing to Captain Marvel while she dances in a ballgown-version of her battle costume. (This was a surprise worth saving to delight my fellow movie-goers, but STILL.)

Captain Marvel herself doesn’t seem to be having fun through much of the film, as the weight of possibly being a war criminal weighs heavily on her (ooopsie). Luckily, Ms. Marvel is having enough fun for everyone. And Monica Rambeau is grounded, consistent, and capable, playing it straight between star-struck Ms. Marvel and gloomy Captain Marvel.

If you like action hero comedies with mismatched buddies, disapproving parents, musical numbers, hot princes (hello, Park Seo-Jun!), secret marriages, flerkin kittens consuming Nick Fury’s staff, fangirls, and very poorly timed body swapping, this is a ‘light romp’ in superhero-dom that you might enjoy.

Film: Dune & Dune Part 2

Dune
published by Warner Brothers
2021 (Part 2) 2024

The most beautiful science fiction films I’ve seen recently are these two films. Based on books by Frank Herbert, they tell a story of extractive settler colonialism, in which one feudal family is assigned by the emperor to rule a colony, but this leaves them vulnerable to the jealous emperor’s sabotage. Instead of being fully destroyed, the survivors foment an uprising that takes control of the substance that makes intergalactic travel possible, which threatens to undo the emperor completely.

Dune (part 1) shows the fall of that sabotaged feudal family, House Atreides. Dune Part 2 shows the beginning of uprising against the emperor’s go-to saboteurs, House Harkonnen, which will lead to war for the galactic empire itself.

The architecture is striking; the scale of it, the focus on shade and shelter, the efforts to shape the machine-like city to withstand sandstorms… The vehicles are impressive, with the vast scale that space would logically lead to (though landing such craft on planets with gravity seems less practical from an engineering standpoint, and more as a display of power toward unwilling subjects). The dragonfly-like craft are especially pleasing…

The acting is GOOD. If you’ve seen prior versions of this story on tv or film, you’ve seen both sincere efforts and cartoonish camp. This story plays it straight; the actor playing Paul Atreides is young enough to pull off the role of a conflicted youth persuasively, rather than being played by a full adult with painted rosy cheeks who is bigger than the people referring to him as ‘the little one;’ the villains remain over the top, but in a properly menacing way, more as plausible abusers of power than merely as monsters in appearance.

There are many things to admire, including the scale and pomp of many large gatherings, and the parts of the story that are simply about a boy and his mother trying to survive. The story scales up and down without losing the narrative. Technology scales from space weapons to knives, and still works seamlessly.

It’s really lovely to watch. You’ll need time – these are long movies – but there is a lot of story to cover in these books, and it never hurts to spend time looking at the beautiful patterns wind makes on sand – or how spaceships look when they explode in flames.

Film: Monarch: Legacy of Monsters

Monarch: Legacy of Monsters
published by Apple TV+ (1 season/10 episodes so far)
2023-

We San Franciscans can be vain about our beloved City, so OF COURSE we have to watch the Godzilla movie about the “G-Day” attack on SF in current times, and remark on the rendering of the monster-smashed high-rises and relocated subway stops that appear in this fun series.

The premise: Godzilla and other giant Titans are real, and can periodically leave their connected universe to appear on (and destroy parts of) our world. How our worlds connect was the focus of the parents and grandparents of two of our three young current-era protagonists, who track down solider Lee Shaw (played by Kurt Russell now and by his son, Wyatt, in Shaw’s youth) to learn more about Titans, their world, the missing father of two of the leads, plus the government agency, Monarch, that turned against Shaw.

The series does a good job of telling the past and present stories without jarring us – we always know which era we are in (thanks, Russell father and son!) – and of showing a version of our current world where Titan evacuation drills are just a thing we do.

The older generation of characters, Doctors Miura & Randa and Lt. Shaw, have great chemistry, and I love seeing scientists as the leading characters. Their monster-chasing adventures have an old-school, Raiders-of-the-Lost-Ark feel in the best kind of way (and in a different era), but with less camp. Their grandkids are persistent in the right way, though their shaky bonds are shaky for plot reasons; once they free him, older Shaw herds them to where they need to go.

This is a fun, San-Francisco-smashing version of a Godzilla mythos, and I would like to see another season.