
I stayed in bed until after 9am, and I’m still astounded at how it feels to be RESTED.
I’m also a little concerned that this feeling is so novel.
And how quickly lunchtime arrived…
Hints on how A.E. Graves spends her imaginary spare time
I stayed in bed until after 9am, and I’m still astounded at how it feels to be RESTED.
I’m also a little concerned that this feeling is so novel.
And how quickly lunchtime arrived…
I want to show off the silvery sheen of this ink a little more, from when I wrote another letter earlier this morning:
The letter (in German) is about ordinary moments of joy: laughing with friends, enjoying the quiet of a Sunday morning, drinking fancy espresso drinks with my commute girlfriends…
I note that I enjoy such ordinary moments while I travel also, and that a favorite moment from a trip to Japan was appreciating a lovingly drawn carrot with luxuriant greens. Someone spent real time on drawing and painting it in their sketchbook (not as a final wall painting to impress others, but just a lightly colored sketch in their own sketchbook for themselves). It was made with such affectionate attention that I remain moved by the memory of it to this day. Anyone who chooses to invest hours in drawing the little lateral dimples and soft irregular greens of a fresh carrot is living life deeply in the present moment, and I can learn from that.
I like this ink, and if I let the pen sit for a bit, I can also achieve ombre effects over a page, as my writing gradually turns from black to silver. That’s nice.
I’ve been waiting to enjoy this special pen for a day when my writing arm isn’t sore. That day hasn’t come, so I decided to stop waiting and write anyway, with soothing ice pack breaks relieving my arm of its internal swelling.
My writing sample isn’t the best here – I’ve waited weeks to hold a real pen again – but this Monteverde “Innova Formula M Fountain Pen – Lightning (Limited Edition)” pen provides a smooth, pleasant writing experience. The ink’s silvery sheen is pleasant. It has some special wetting agents that made it feather on my usual papers (and I thought nothing could feather on Tomoe River!), but works well on ordinary paper. I like the softness of this black. It makes me think of my well-washed, favorite black denim jeans, but more metallic. (This gives me ideas of special effects I might like in my denim if this didn’t make them less soft...)
As the writing sample notes, I LOVE LOVE LOVE this time of year, especially for food reasons, but also because of the delivery of dramatic skies. Oh, how I love them – they make mornings so moody, and sunsets so colorful…
I look forward to using this pen-ink combination on other papers for long writing sessions.
While trying to choose other theme music for myself, while pondering whether Amon Tobin‘s Slowly describes me specifically enough or merely described the way the bay looked on this particular morning, I listened to Four Ton Mantis (on the album Supermodified (2000, Ninja Tune)).
Oh my gosh.
I once wrote a screenplay for a wordless film for this song. About Godzilla. Waking up, and then destroying a city. And settling in for a nap, after having a butterfly land on his nose. There were timestamps for various scenes, aligned with the music. (I posted this work to the writing group section of a dating site (!!), and my posts there somehow led to a fun, four-year relationship with another writer, though this is not an obvious outcome to such writing. [muffled question] What? [muffled question off camera] No, he wasn’t scared away by this. [muffled sound off camera] Well, “normal” people can be a bit dull…)
Anyway, it’s a great song. If I were to put on a robot suit and stage a fight with another woman (who is also in a robot suit) in a scale model of NeoTokyo, this could be the soundtrack to that fight. Or we could wear giant robot suits and fight in actual NeoTokyo, if that would be easier to film, but I don’t think we could get insurance. (Yes, I am thinking of Iczer One, and no, you can’t stop me.)
(I would link to media of Four Ton Mantis, but it isn’t visible on the iTunes version of the album currently available (even though it is on my phone), and the album version isn’t available on YouTube. The remixes give the song a different character entirely, though they are also fun – they just have less of a giant-robot-suit-fight-music character.)
I assigned theme music to a stranger a few months back*. This was a first for me, and I realized I should choose my own theme music before assigning songs to others.
Theme music isn’t a new idea. I worked at a company with a professional events team, and if you walked on stage, you were allowed to choose the music that would play during your walk-on. So, making this kind of choice has occurred to me before. (For people without events teams: It’s like the walk-on music for evening shows, but chosen by you rather than, say, Questlove, who has made some fantastic, context-based choices (only some of which he has regretted), making the song apply on a few levels).
I listen to a surprising amount of instrumental music. La cittá nuda by The Dining Rooms stands out for me as a gliding energetically through a lively city evening, so I’ll put it on my theme list:
*You had to be there, it was a “vibe” – the weather was fantastic, I finished work , SF bay was serene, this person was relaxing in front of me, Massive Attack was in my headphones – it was just a perfect moment.
I hope your own reading provides you as much pleasure as mine gives me.
I am… diligent.
I make a real effort not to write about my employment (in (a) my specialty, legal operations; now within (b) the biopharma industry, (c) primarily in oncology (cancer medicines)) here, but my work does lead to lots of interesting reading! Especially in the medical/pharmaceutical research area, where the statement ‘it’s a great time to be alive‘ is especially true: many health conditions that were previously immediately fatal can now be managed, and rather than having months left to live, one can often live to one’s nearly normal lifespan.
The European Society for Medical Oncology (ESMO) is meeting in Barcelona this week, and so lots of new research is being presented there, and will make its way into the news.
Back when I worked at a company that had a drug for melanoma (a type of skin cancer), we all received sunscreen and a presentation on how few patients were still alive five years after their diagnosis. (WE WORE THE SUNSCREEN AFTER THAT!). The article below describes further progress with newer treatments that allow more and more people to live longer, despite this previously-quickly-fatal disease:
I’m not a scientist, and I’m not representing any of my current or past employers when I write about this topic: this is my genuine excitement that science is delivering solid progress for serious medical conditions.
Many people will bemoan the state of the world uniformly, and there certainly is abundant war, strife, exploitation, and [so more other negative human stuff than I have time to detail here, and which you already grasp anyway]. There are also people working hard to help people they don’t even know live long enough to see their little kids graduate from school – and they are succeeding! These improvements in survival have been developed in our lifetime, and provide wonders that our grandparents could not have imagined.
While research about possible cures that are in the earliest stages of basic research (and have not been tested in people) appear to be more thrilling, the stuff that has already been proven to work in people is much more exciting – and close to being available to people you care about.
I’m looking forward to geeking out over more high level, non-specialist summaries about great scientific progress in medicine.