Fushigi Yûgi: Genbu Kaiden
by Yuu Watase
published in English by Viz (40 chapters, complete)
2003 – 2013
Teenager Takiko Okuda’s mother is dying of TB, her father only cares about his career, and her love for an older man is unrequited. Both luckily and unluckily for her, her father’s research led him to translate and transcribe a prophesy that can take Takiko into another time and place, the Universe of the Four Gods, where she has the power to save a country and its people.
In the ancient country of Bei Ja, Takiko manifests as the Priestess of Genbu, whose duty is to find and assemble the Celestial Warriors and summon the god Genbu to save the country. This isn’t an easy task: the arrival of either the priestess or the warriors is a sign of disaster to locals. As a result, they are dreaded, shunned – and worse. But our heroine is determined to save this harsh world at any cost, and works hard to persuade the reluctant warriors to assemble and save the country.
With supportive allies who have faith in her, kind strangers, a dragon, and her first and favorite warrior to love at her side, Takiko will give everything to be useful to her comrades in arms and to save her troubled, adopted homeworld.
Author and Artist Yuu Watase’s monochrome art style (known to me from the comedy Absolute Boyfriend) is enjoyable (the hair on these characters!), and her work on the regional costumes as the characters travel show a zeal that grounds the mythical (western China-like) continent in its vastness, with its differing cultures and customs. I appreciate great, lovingly-drawn costumes!
The story is serious; the characters are troubled by past traumas and ongoing family dramas; the nation seems doomed; and the stakes are high for all involved. Young people risking – and giving up – their lives for others is touching, and (if the grown-ups were running the world properly) should not be necessary – there are some serious adult mismanagement of the world going on here. The message that how you chose to live matters, and that a life of service can be profoundly meaningful comes through well in this story.
This story took Watase a decade to complete, as the artist (X-gender with she/her pronouns) had many other publishing commitments as a prolific manga artist. I enjoy her notes in between volumes (reproduced in the Viz English editions) about the toll long hours take on her health, and the interruptions to her progress. The story feels continuous and uninterrupted in all the best ways – it is quite an accomplishment!
I enjoyed this as a standalone story, knowing it is a prequel to an even longer work by Watase that was published in the 1990s, Fushigi Yûgi. There is a sequel to FY:GK coming in the future, once Watase recovers from the toll of all of this drawing called Fushigi Yûgi: Byakko Senki. I will wait patiently for it to be complete!
