{"id":1558,"date":"2021-08-14T14:07:21","date_gmt":"2021-08-14T21:07:21","guid":{"rendered":"https:\/\/teahousehome.com\/booksandcoffee\/?p=1558"},"modified":"2021-08-14T14:22:36","modified_gmt":"2021-08-14T21:22:36","slug":"list-my-twelve-inch-record-collection","status":"publish","type":"post","link":"https:\/\/teahousehome.com\/booksandcoffee\/2021\/08\/14\/list-my-twelve-inch-record-collection\/","title":{"rendered":"List: My Twelve Inch Record Collection"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full is-style-rounded\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"211\" src=\"https:\/\/teahousehome.com\/booksandcoffee\/wp-content\/uploads\/2021\/07\/AEG-sponged-cloud-banner.jpg\" alt=\"\" class=\"wp-image-1415\" srcset=\"https:\/\/teahousehome.com\/booksandcoffee\/wp-content\/uploads\/2021\/07\/AEG-sponged-cloud-banner.jpg 1000w, https:\/\/teahousehome.com\/booksandcoffee\/wp-content\/uploads\/2021\/07\/AEG-sponged-cloud-banner-300x63.jpg 300w, https:\/\/teahousehome.com\/booksandcoffee\/wp-content\/uploads\/2021\/07\/AEG-sponged-cloud-banner-768x162.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/figure>\n\n\n\n<p>I&#8217;m organizing some of my things for a construction project, and one of those things is my  Long Playing Record (LP) collection.  My first actual music &#8220;album&#8221; was an audiocassette of Rick Springfield&#8217;s <em>Working Class Dog<\/em>, and the original Sony Walkman made cassettes preferable, so I could take music with me on long transit rides (and somehow, all transit rides were long back then!).  <\/p>\n\n\n\n<p>However, records were&#8230; <em>special<\/em>.  You would plop down in front of your home stereo and listen to records<strong><em><span class=\"has-inline-color has-pale-pink-color\"> to listen to records<\/span><\/em><\/strong>, not just as background music for other things!  It was a wonderful activity, and I had some enormous headphones (which surely belonged to my father) with a spiral cord that would attach me to the stereo for HOURS.  But it was also good to have friends over to listen to records together.<\/p>\n\n\n\n<p>I don&#8217;t buy records anymore, in this era of buying online and having music on many devices &#8212; who would have thought I would listen on tiny Bose earbuds to my music ON MY PHONE (!?!?!?) &#8212; but I still enjoy my collection.  <\/p>\n\n\n\n<p>I&#8217;m sharing a list of my 12&#8243; records sorted by year recorded.  This will tell you about my age (eek), and also when my core record-buying years were.  Even during those years, my audio cassette purchases were high at the beginning, and my CD purchases overlapped at the end, so this isn&#8217;t a complete reflection of my music buying at the time.  It does reflect music I took the time to enjoy at home, or took a risk on, since records were reasonably priced (and were what I spent my allowance and job income on).  <em><span class=\"has-inline-color has-cyan-bluish-gray-color\">This list includes LPs (long playing records), EPs (extended playing records &#8211; collections of 2 or more songs), 12&#8243; singles (songs too long to fit on a 45 single song record, usually because they have been remixed), and various special variations of these (versions released in other countries, picture disks, etc.).<\/span><\/em><\/p>\n\n\n\n<p><strong><span class=\"has-inline-color has-pale-pink-color\">My 12&#8243; Records Sorted by Year of Release, then Artist Name ( 122 Items)<\/span><\/strong><\/p>\n\n\n\n<ul>\n<li>1972<\/li>\n<ul>\n<li>\tBowie, David\t&#8211; <em>\tThe Rise and Fall of Ziggy Stardust and the Spiders from Mars\t<\/em> &#8212;\tRCA\t&#8212;\t1972\t<\/li>\n<\/ul>\n<li>1977<\/li><ul>\n<li>\tBowie, David\t&#8211; <em>\tHeroes\t<\/em> &#8212;\tRCA\t&#8212;\t1977\t<\/li>\n<li>\tElvis Costello\t&#8211; <em>\tMy Aim Is True\t<\/em> &#8212;\tStiff \t&#8212;\t1977\t<\/li>\n<\/ul>\n<li>1978<\/li><ul>\n<li>\tElvis Costello and the Attractions\t&#8211; <em>\tArmed Forces\t<\/em> &#8212;\tColumbia\t&#8212;\t1978\t<\/li><\/ul>\n<li>1979<\/li><ul>\n<li>\tB-52&#8217;s, The\t&#8211; <em>\tThe B-52&#8217;s\t<\/em> &#8212;\tWarner Bros\t&#8212;\t1979\t<\/li><\/ul>\n<li>1981<\/li><ul>\n<li>\tDuran Duran\t&#8211; <em>\tCareless Memories 12&#8243;\t<\/em> &#8212;\tTritec\t&#8212;\t1981\t<\/li>\n<li>\tDuran Duran\t&#8211; <em>\tNite Romantics (Japan Edition)\t<\/em> &#8212;\tEMI\t&#8212;\t1981\t<\/li>\n<li>\tIdol, Billy\t&#8211; <em>\tDon&#8217;t Stop\t<\/em> &#8212;\tChrysalis\t&#8212;\t1981\t<\/li><\/ul>\n<li>1982<\/li><ul>\n<li>\tAdam Ant\t&#8211; <em>\tFriend or Foe\t<\/em> &#8212;\tEpic\t&#8212;\t1982\t<\/li>\n<li>\tClash, The\t&#8211; <em>\tCombat Rock\t<\/em> &#8212;\tCBS\t&#8212;\t1982\t<\/li>\n<li>\tCulture Club\t&#8211; <em>\tKissing to be Clever\t<\/em> &#8212;\tVirgin\t&#8212;\t1982\t<\/li>\n<li>\tDuran Duran\t&#8211; <em>\tCarnival (Japan Edition)\t<\/em> &#8212;\tTritec\t&#8212;\t1982\t<\/li>\n<li>\tDuran Duran\t&#8211; <em>\tRio 12&#8243;\t<\/em> &#8212;\tEMI\t&#8212;\t1982\t<\/li>\n<li>\tForeigner\t&#8211; <em>\tRecords\t<\/em> &#8212;\tAtlantic\t&#8212;\t1982\t<\/li>\n<li>\tMadness\t&#8211; <em>\tThe Rise and Fall &#8211;\t<\/em> &#8212;\tStiff \t&#8212;\t1982\t<\/li>\n<li>\tMen At Work\t&#8211; <em>\tCargo\t<\/em> &#8212;\tColumbia\t&#8212;\t1982\t<\/li>\n<li>\tDepeche Mode\t&#8211; <em>\tSee You (Extended Version)\t<\/em> &#8212;\tMute\t&#8212;\t1982\t<\/li><\/ul>\n<li>1983<\/li><ul>\n<li>\tCulture Club\t&#8211; <em>\tColour By Numbers\t<\/em> &#8212;\tVirgin\t&#8212;\t1983\t<\/li>\n<li>\tDef Leppard\t&#8211; <em>\tPyromania\t<\/em> &#8212;\tPolygram\t&#8212;\t1983\t<\/li>\n<li>\tDepeche Mode\t&#8211; <em>\tConstruction Time Again\t<\/em> &#8212;\tSire\t&#8212;\t1983\t<\/li>\n<li>\tDuran Duran\t&#8211; <em>\tIs There Something I Should Know? 12&#8243;\t<\/em> &#8212;\tTritec\t&#8212;\t1983\t<\/li>\n<li>\tDuran Duran\t&#8211; <em>\tNew Moon on Monday 12&#8243;\t<\/em> &#8212;\tEMI\t&#8212;\t1983\t<\/li>\n<li>\tDuran Duran\t&#8211; <em>\tSeven and the Ragged Tiger\t<\/em> &#8212;\tEMI\t&#8212;\t1983\t<\/li>\n<li>\tDuran Duran\t&#8211; <em>\tUnion of the Snake 12&#8243;\t<\/em> &#8212;\tTritec\t&#8212;\t1983\t<\/li>\n<li>\tEcho and The Bunnymen\t&#8211; <em>\tEP Recorded Live a tthe Royal Albert Hall\t<\/em> &#8212;\tSire\t&#8212;\t1983\t<\/li>\n<li>\tFixx, The\t&#8211; <em>\tReach the Beach\t<\/em> &#8212;\tMCA\t&#8212;\t1983\t<\/li>\n<li>\tFrankie Goes to Hollywood\t&#8211; <em>\tRelax 12&#8243;\t<\/em> &#8212;\tZTT\t&#8212;\t1983\t<\/li>\n<li>\tGene Loves Jezebel\t&#8211; <em>\tPromise\t<\/em> &#8212;\tBeggar&#8217;s Banquet\t&#8212;\t1983\t<\/li>\n<li>\tIdol, Billy\t&#8211; <em>\tBilly Idol\t<\/em> &#8212;\tChrysalis\t&#8212;\t1983\t<\/li>\n<li>\tIdol, Billy\t&#8211; <em>\tRebel Yell\t<\/em> &#8212;\tChrysalis\t&#8212;\t1983\t<\/li>\n<li>\tLauper, Cyndi\t&#8211; <em>\tShe&#8217;s So Unusual\t<\/em> &#8212;\tCBS\t&#8212;\t1983\t<\/li>\n<li>\tMidnight Oil\t&#8211; <em>\t10,9,8,7,6,5,4,3,2,1\t<\/em> &#8212;\tColumbia\t&#8212;\t1983\t<\/li>\n<li>\tNew Order\t&#8211; <em>\tBlue Monday 12&#8243;\t<\/em> &#8212;\tQwest\t&#8212;\t1983\t<\/li>\n<li>\tTears for Fears\t&#8211; <em>\tThe Hurting\t<\/em> &#8212;\tPolygram\t&#8212;\t1983\t<\/li>\n<li>\tTotal Coelo\t&#8211; <em>\tI Eat Cannibals 12&#8243;\t<\/em> &#8212;\tChrysalis\t&#8212;\t1983\t<\/li>\n<li>\tU2\t&#8211; <em>\tUnder a Blood Red Sky Live 12&#8243;\t<\/em> &#8212;\tWarner Bros\t&#8212;\t1983\t<\/li>\n<li>\tU2\t&#8211; <em>\tWar\t<\/em> &#8212;\tIsland\t&#8212;\t1983\t<\/li>\n<li>\tYanks\t&#8211; <em>\tOnly Lovers Left Alive\t<\/em> &#8212;\tOrb\t&#8212;\t1983\t<\/li><\/ul>\n<li>1984<\/li><ul>\n<li>\tAlphaville\t&#8211; <em>\tForever Young\t<\/em> &#8212;\tAtlantic\t&#8212;\t1984\t<\/li>\n<li>\tAztec Camera\t&#8211; <em>\tKnife\t<\/em> &#8212;\tSire\t&#8212;\t1984\t<\/li>\n<li>\tBig Country\t&#8211; <em>\tSteeltown\t<\/em> &#8212;\tPhonogram\t&#8212;\t1984\t<\/li>\n<li>\tBowie, David\t&#8211; <em>\tTonight\t<\/em> &#8212;\tEMI\t&#8212;\t1984\t<\/li>\n<li>\tCulture Club\t&#8211; <em>\tWaking Up with the House on Fire\t<\/em> &#8212;\tVirgin\t&#8212;\t1984\t<\/li>\n<li>\tDepeche Mode\t&#8211; <em>\tSome Great Reward\t<\/em> &#8212;\tSire\t&#8212;\t1984\t<\/li>\n<li>\tDuran Duran\t&#8211; <em>\tArena\t<\/em> &#8212;\tCapitol\t&#8212;\t1984\t<\/li>\n<li>\tDuran Duran\t&#8211; <em>\tThe Reflex 12&#8243; Picture Disk\t<\/em> &#8212;\tTritec\t&#8212;\t1984\t<\/li>\n<li>\tFrankie Goes to Hollywood\t&#8211; <em>\tTwo Tribes (Annihilation) 12&#8243;\t<\/em> &#8212;\tZTT\t&#8212;\t1984\t<\/li>\n<li>\tFrankie Goes to Hollywood\t&#8211; <em>\tWelcome to the Pleasuredome\t<\/em> &#8212;\tIsland\t&#8212;\t1984\t<\/li>\n<li>\tGeneral Public\t&#8211; <em>\tAll The Rage\t<\/em> &#8212;\tIRS\t&#8212;\t1984\t<\/li>\n<li>\tOrchestral Manoeuvres in the Dark\t&#8211; <em>\tJunk Culture\t<\/em> &#8212;\tVirgin\t&#8212;\t1984\t<\/li>\n<li>\tSimple Minds\t&#8211; <em>\tSparkle In The Rain\t<\/em> &#8212;\tA&#038;M\t&#8212;\t1984\t<\/li>\n<li>\tSpringfield, Rick\t&#8211; <em>\tBeautiful Feelings\t<\/em> &#8212;\tPolygram\t&#8212;\t1984\t<\/li>\n<li>\tTalk Talk\t&#8211; <em>\tIt&#8217;s My Life\t<\/em> &#8212;\tEMI\t&#8212;\t1984\t<\/li>\n<li>\tTalking Heads\t&#8211; <em>\tStop Making Sense\t<\/em> &#8212;\tSire\t&#8212;\t1984\t<\/li>\n<li>\tTime Zone\t&#8211; <em>\tWorld Destruction 12&#8243;\t<\/em> &#8212;\tOAO\t&#8212;\t1984\t<\/li>\n<li>\tU2\t&#8211; <em>\tThe Unforgettable Fire\t<\/em> &#8212;\tIsland\t&#8212;\t1984\t<\/li>\n<li>\tWham!\t&#8211; <em>\tMake It Big\t<\/em> &#8212;\tCBS\t&#8212;\t1984\t<\/li>\n<li>\tYanks\t&#8211; <em>\tMade in the States\t<\/em> &#8212;\tDTI\t&#8212;\t1984\t<\/li><\/ul>\n<li>1985<\/li><ul>\n<li>\tCult, The\t&#8211; <em>\tLove\t<\/em> &#8212;\tSire\t&#8212;\t1985\t<\/li>\n<li>\tDepeche Mode\t&#8211; <em>\tBlack Celebration\t<\/em> &#8212;\tSire\t&#8212;\t1985\t<\/li>\n<li>\tDepeche Mode\t&#8211; <em>\tCatching Up with Depeche Mode\t<\/em> &#8212;\tMute\t&#8212;\t1985\t<\/li>\n<li>\tElvis Costello and the Attractions\t&#8211; <em>\tThe Best of Elvis Costello and the Attractions\t<\/em> &#8212;\tColumbia\t&#8212;\t1985\t<\/li>\n<li>\tHooters\t&#8211; <em>\tNervous Night\t<\/em> &#8212;\tCBS\t&#8212;\t1985\t<\/li>\n<li>\tINXS\t&#8211; <em>\tListen Like Thieves\t<\/em> &#8212;\tAtlantic\t&#8212;\t1985\t<\/li>\n<li>\tMidnight Oil\t&#8211; <em>\tRed Sails in the Sunset\t<\/em> &#8212;\tCBS\t&#8212;\t1985\t<\/li>\n<li>\tNew Order\t&#8211; <em>\tLow Life\t<\/em> &#8212;\tQwest\t&#8212;\t1985\t<\/li>\n<li>\tNew Order\t&#8211; <em>\tThe Perfect Kiss 12&#8243;\t<\/em> &#8212;\tQwest\t&#8212;\t1985\t<\/li>\n<li>\tOingo Boingo\t&#8211; <em>\tDead Man&#8217;s Party\t<\/em> &#8212;\tMCA\t&#8212;\t1985\t<\/li>\n<li>\tOrchestral Manoeuvres in the Dark\t&#8211; <em>\tCrush\t<\/em> &#8212;\tA&#038;M \/ Virgin\t&#8212;\t1985\t<\/li>\n<li>\tREM\t&#8211; <em>\tFables of The Reconstruction\t<\/em> &#8212;\tIRS\t&#8212;\t1985\t<\/li>\n<li>\tScritti Politti\t&#8211; <em>\tCupid &#038; Psyche 85\t<\/em> &#8212;\tWarner Bros\t&#8212;\t1985\t<\/li>\n<li>\tWire Train\t&#8211; <em>\tBetween Two Words\t<\/em> &#8212;\tCBS\t&#8212;\t1985\t<\/li>\n<li>\tYello\t&#8211; <em>\tOh Yeah 12&#8243;\t<\/em> &#8212;\tMercury\t&#8212;\t1985\t<\/li><\/ul>\n<li>1986<\/li><ul>\n<li>\tAlphaville\t&#8211; <em>\tAfternoons in Utopia\t<\/em> &#8212;\tAtlantic\t&#8212;\t1986\t<\/li>\n<li>\tBlow Monkeys, The\t&#8211; <em>\tAnimal Magic\t<\/em> &#8212;\tRCA\t&#8212;\t1986\t<\/li>\n<li>\tCrowded House\t&#8211; <em>\tCrowded House\t<\/em> &#8212;\tCapitol \/ EMI\t&#8212;\t1986\t<\/li>\n<li>\tDamned, The\t&#8211; <em>\tAnything\t<\/em> &#8212;\tMCA\t&#8212;\t1986\t<\/li>\n<li>\tFlock of Seagulls, A\t&#8211; <em>\tThe Best of A Flock of Seagulls\t<\/em> &#8212;\tJive\t&#8212;\t1986\t<\/li>\n<li>\tGabriel, Peter\t&#8211; <em>\tSo\t<\/em> &#8212;\tGeffen\t&#8212;\t1986\t<\/li>\n<li>\tKraftwerk\t&#8211; <em>\tElectric Cafe\t<\/em> &#8212;\tWarner Bros\t&#8212;\t1986\t<\/li>\n<li>\tREM\t&#8211; <em>\tLife&#8217;s Rich Pageant\t<\/em> &#8212;\tIRS\t&#8212;\t1986\t<\/li>\n<li>\tShriekback\t&#8211; <em>\tBig Night Music\t<\/em> &#8212;\tIsland\t&#8212;\t1986\t<\/li>\n<li>\tSmithereens, The\t&#8211; <em>\tEspecially For You\t<\/em> &#8212;\tEnigma \t&#8212;\t1986\t<\/li>\n<li>\tThe The\t&#8211; <em>\tInfected 12&#8243;\t<\/em> &#8212;\tCBS\t&#8212;\t1986\t<\/li>\n<li>\tXTC\t&#8211; <em>\tSkylarking\t<\/em> &#8212;\tGeffen\t&#8212;\t1986\t<\/li><\/ul>\n<li>1987<\/li><ul>\n<li>\t10,000 Maniacs\t&#8211; <em>\tIn My Tribe\t<\/em> &#8212;\tElektra \/ Asylum\t&#8212;\t1987\t<\/li>\n<li>\tBolshoi, The\t&#8211; <em>\tLindy&#8217;s Party\t<\/em> &#8212;\tRCA\t&#8212;\t1987\t<\/li>\n<li>\tCabaret Voltaire\t&#8211; <em>\tHere To Go 12&#8243; Remix\t<\/em> &#8212;\tEMI\t&#8212;\t1987\t<\/li>\n<li>\tCult, The\t&#8211; <em>\tElectric\t<\/em> &#8212;\tSire\t&#8212;\t1987\t<\/li>\n<li>\tCure, The\t&#8211; <em>\tKiss Me Kiss Me Kiss Me\t<\/em> &#8212;\tElektra \/ Asylum\t&#8212;\t1987\t<\/li>\n<li>\tDepeche Mode\t&#8211; <em>\tMusic for the Masses\t<\/em> &#8212;\tSire\t&#8212;\t1987\t<\/li>\n<li>\tFerry, Bryan\t&#8211; <em>\tBete Noire\t<\/em> &#8212;\tWarner Bros\t&#8212;\t1987\t<\/li>\n<li>\tINXS\t&#8211; <em>\tKick\t<\/em> &#8212;\tAtlantic\t&#8212;\t1987\t<\/li>\n<li>\tIsaak, Chris\t&#8211; <em>\tChris Isaak\t<\/em> &#8212;\tWarner Bros\t&#8212;\t1987\t<\/li>\n<li>\tMidnight Oil\t&#8211; <em>\tDiesel and Dust\t<\/em> &#8212;\tColumbia\t&#8212;\t1987\t<\/li>\n<li>\tNew Order\t&#8211; <em>\tSubstance\t<\/em> &#8212;\tQwest\t&#8212;\t1987\t<\/li>\n<li>\tOingo Boingo\t&#8211; <em>\tBoi-Ngo\t<\/em> &#8212;\tMCA\t&#8212;\t1987\t<\/li>\n<li>\tPop Will Eat Itself\t&#8211; <em>\tBox Frenzy\t<\/em> &#8212;\tChapter 22 \/ Rough Trade\t&#8212;\t1987\t<\/li>\n<li>\tREM\t&#8211; <em>\tDead Letter Office\t<\/em> &#8212;\tIRS\t&#8212;\t1987\t<\/li>\n<li>\tREM\t&#8211; <em>\tDocument\t<\/em> &#8212;\tIRS\t&#8212;\t1987\t<\/li>\n<li>\tReplacements, The\t&#8211; <em>\tPleased to Meet Me\t<\/em> &#8212;\tSire\t&#8212;\t1987\t<\/li>\n<li>\tSilencers, The\t&#8211; <em>\tA Letter From St. Paul\t<\/em> &#8212;\tBMG\t&#8212;\t1987\t<\/li>\n<li>\tSmiths, The\t&#8211; <em>\tLouder Than Bombs\t<\/em> &#8212;\tSire\t&#8212;\t1987\t<\/li>\n<li>\tSmiths, The\t&#8211; <em>\tStrangeways, Here We Come\t<\/em> &#8212;\tSire\t&#8212;\t1987\t<\/li>\n<li>\tSqueeze\t&#8211; <em>\tBablylon and On\t<\/em> &#8212;\tA&#038;M &#8211;\t&#8212;\t1987\t<\/li>\n<li>\tU2\t&#8211; <em>\tThe Joshua Tree\t<\/em> &#8212;\tWarner Bros\t&#8212;\t1987\t<\/li>\n<li>\tWire Train\t&#8211; <em>\tTen Women\t<\/em> &#8212;\tCBS\t&#8212;\t1987\t<\/li><\/ul>\n<li>1988<\/li><ul>\n<li>\tBeatnik Beach\t&#8211; <em>\tBeatnik Beach\t<\/em> &#8212;\tAtlantic\t&#8212;\t1988\t<\/li>\n<li>\tBook of Love\t&#8211; <em>\tLullaby\t<\/em> &#8212;\tSire\t&#8212;\t1988\t<\/li>\n<li>\tChapman, Tracey\t&#8211; <em>\tTracey Chapman\t<\/em> &#8212;\tElektra \/ Asylum\t&#8212;\t1988\t<\/li>\n<li>\tChurch, The\t&#8211; <em>\tStarfish\t<\/em> &#8212;\tArista\t&#8212;\t1988\t<\/li>\n<li>\tDead Milkmen, The\t&#8211; <em>\tBeelzebubba\t<\/em> &#8212;\tEnigma\t&#8212;\t1988\t<\/li>\n<li>\tErasure\t&#8211; <em>\tThe Innocents\t<\/em> &#8212;\tSire\t&#8212;\t1988\t<\/li>\n<li>\tKon Kan\t&#8211; <em>\tI Beg Your Pardon 12&#8243;\t<\/em> &#8212;\tAtlantic\t&#8212;\t1988\t<\/li>\n<li>\tMorrissey\t&#8211; <em>\tViva Hate\t<\/em> &#8212;\tSire\t&#8212;\t1988\t<\/li>\n<li>\tPalmer, Robert\t&#8211; <em>\tHeavy Nova\t<\/em> &#8212;\tEMI \/ Manhattan\t&#8212;\t1988\t<\/li>\n<li>\tREM\t&#8211; <em>\tGreen\t<\/em> &#8212;\tWarner Bros\t&#8212;\t1988\t<\/li>\n<li>\tSmithereens, The\t&#8211; <em>\tGreen Thoughts\t<\/em> &#8212;\tEnigma\/Capitol\t&#8212;\t1988\t<\/li>\n<li>\tTalking Heads\t&#8211; <em>\tNaked\t<\/em> &#8212;\tSire\t&#8212;\t1988\t<\/li><\/ul>\n<li>1989<\/li><ul>\n<li>\tFigures on a Beach\t&#8211; <em>\tYou Ain&#8217;t Seen Nothing Yet 12&#8243;\t<\/em> &#8212;\tSire\t&#8212;\t1989\t<\/li>\n<li>\tNine Inch Nails\t&#8211; <em>\tPretty Hate Machine\t<\/em> &#8212;\tTVT\t&#8212;\t1989\t<\/li>\n<li>\tReplacements, The\t&#8211; <em>\tDon&#8217;t Tell a Soul\t<\/em> &#8212;\tSire\t&#8212;\t1989\t<\/li><\/ul>\n<\/ul>\n\n\n\n\n<p>(I do have more records than this, but these are the ones I&#8217;m taking responsibility for.)<\/p>\n\n\n\n<p>I&#8217;ll (eventually) post a separate list of my audio CDs eventually, and perhaps create a &#8220;featurette&#8221; page with an inventory of my physical music collection as a whole, organized by artist, especially if I can find one of my old &#8217;80s inventories to fill in the cassette gaps.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m organizing some of my things for a construction project, and one of those things is my Long Playing Record (LP) collection. My first actual music &#8220;album&#8221; was an audiocassette of Rick Springfield&#8217;s Working Class Dog, and the original Sony Walkman made cassettes preferable, so I could take music with me on long transit rides &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/teahousehome.com\/booksandcoffee\/2021\/08\/14\/list-my-twelve-inch-record-collection\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;List: My Twelve Inch Record Collection&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[206,10],"tags":[205],"class_list":["post-1558","post","type-post","status-publish","format-standard","hentry","category-list","category-music","tag-collections"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/teahousehome.com\/booksandcoffee\/wp-json\/wp\/v2\/posts\/1558","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teahousehome.com\/booksandcoffee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teahousehome.com\/booksandcoffee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teahousehome.com\/booksandcoffee\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/teahousehome.com\/booksandcoffee\/wp-json\/wp\/v2\/comments?post=1558"}],"version-history":[{"count":11,"href":"https:\/\/teahousehome.com\/booksandcoffee\/wp-json\/wp\/v2\/posts\/1558\/revisions"}],"predecessor-version":[{"id":1569,"href":"https:\/\/teahousehome.com\/booksandcoffee\/wp-json\/wp\/v2\/posts\/1558\/revisions\/1569"}],"wp:attachment":[{"href":"https:\/\/teahousehome.com\/booksandcoffee\/wp-json\/wp\/v2\/media?parent=1558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teahousehome.com\/booksandcoffee\/wp-json\/wp\/v2\/categories?post=1558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teahousehome.com\/booksandcoffee\/wp-json\/wp\/v2\/tags?post=1558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}